The Third Man (1949) | |
| Director(s) | Carol Reed |
| Producer(s) | Hugh Perceval (associate), Carol Reed, Alexander Korda (uncredited), David O. Selznick (uncredited) |
| Top Genres | Film Adaptation, Film Noir, Mystery, Thriller/Suspense |
| Top Topics | Book-Based, Mistaken Identity |
Featured Cast:
The Third Man Overview:
The Third Man (1949) was a Film Noir - Mystery Film directed by Carol Reed and produced by Carol Reed, David O. Selznick, Alexander Korda and Hugh Perceval.
The film was based on the novel of the same name written by Graham Greene published in 1949.
Academy Awards 1950 --- Ceremony Number 23 (source: AMPAS)
| Award | Recipient | Result |
| Best Cinematography | Robert Krasker | Won |
| Best Director | Carol Reed | Nominated |
| Best Film Editing | Oswald Hafenrichter | Nominated |
The Third Man BlogHub Articles:
Joseph Cotten searches for “The Third Man” in Postwar Vienna
By Stephen Reginald on Jul 11, 2023 From Classic Movie ManJoseph Cotten searches for “The Third Man” in Postwar Vienna The Third Man (1949) is a British film noir directed by Carol Reed and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. The film’s screenplay was written by Graham Greene. The film focuses on Ho... Read full article
The Third Man
By Barry P. on Dec 4, 2022 From Cinematic Catharsis(1949) Directed by Carol Reed; Screenplay by Graham Greene; Based on a novella by Graham Greene; Starring: Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard, Paul H?rbiger, Ernst Deutsch, Erich Ponto; Available on Blu-ray and DVD Rating: ***** “Carol Reed is the kind of director who&... Read full article
The Third Man At 70
By 4 Star Film Fan on Oct 16, 2019 From 4 Star FilmsOh, how I love The?Third Man (or The 3rd Man). Regardless of how you write it, Carol Reed‘s post-war noir is one of those special films that was a case of love at first sight.? I knew some of the reasons already, but watching the film with a friend (on his first viewing) teased them out even m... Read full article
The Third Man (1949): Out of the Rubble
By 4 Star Film Fan on Nov 2, 2017 From 4 Star FilmsLike the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? T... Read full article
The Third Man (1949): Out of the Rubble
By 4 Star Film Fan on Nov 2, 2017 From 4 Star FilmsLike the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? T... Read full article
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Quotes from The Third Man
Harry Lime: You know, I never feel comfortable on these sort of things. Victims? Don't be melodramatic. Look down there. Tell me. Would you really feel any pity if one of those dots stopped moving forever? If I offered you twenty thousand pounds for every dot that stopped, would you really, old man, tell me to keep my money, or would you calculate how many dots you could afford to spare? Free of income tax, old man. Free of income tax - the only way you can save money nowadays.
Anna Schmidt: You know, you ought to get yourself a girl.
Crabbin: [inviting Holly Martins to give a lecture at the local Cultural Reeducation Society] We do a little show each week. Last week we had "Hamlet." The week before we had... something.
Sgt. Paine: The striptease, sir.
Crabbin: Yes, the Hindu dancers. Thank you, sergeant.
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Facts about The Third Man
Cary Grant was considered for the part of Harry Lime. Conicidentally, Grant was a regular lunchtime visitor to the set of the film when the shooting returned to London sound-stages.
When the film was initially distributed in America, David O. Selznick replaced the narration at the beginning (a necessity to explain the very unusual status of Vienna in the aftermath of World War II, when the film was set), originally done by Carol Reed himself, with a narration read by Joseph Cotten, in character as Holly Martins. Nearly eleven minutes of film was cut out in Selznick's version, including all references in the original cut to Cotten's Holly Martins being an implied alcoholic and anything else that portrayed him as a less than heroic figure.
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