The Fountainhead (1949) | |
| Director(s) | King Vidor |
| Producer(s) | Henry Blanke |
| Top Genres | Drama, Film Adaptation |
| Top Topics | Book-Based, Integrity, Newspapers, Romance (Drama) |
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The Fountainhead Overview:
The Fountainhead (1949) was a Drama - Film Adaptation Film directed by King Vidor and produced by Henry Blanke.
The film was based on the novel of the same name written by Ayn Rand published in 1943.
BlogHub Articles:
THE FOUNTAINHEAD ( 1949 )
By Theresa Brown on Apr 8, 2016 From CineMaven's Essays from the CouchThey say there?s no frigate like a book. But what happens when you turn a frigate into a movie? What?ve you got then? Now Voyaging and Speakeasy have partnered up again to host this weekend?s ?BOOK TO COVER: Books to Film Blogathon.? It?s pretty self-explanatory: ?This blogathon is your opportunity... Read full article
The Fountainhead (1949)
By Beatrice on Jun 10, 2015 From Flickers in TimeThe Fountainhead Directed by King Vidor Written by Ayn Rand based on her novel 1949/USA Warner Bros. First viewing/Hulu Plus I cannot fully express my feelings about this film without spoilers. ?Normally, I would suggest that my readers watch the film first but in this case I wouldn’t go ... Read full article
The Fountainhead, Often and Oftener Viewings Makes It Better and Better
By C. S. Williams on Dec 8, 2014 From Classic Film AficionadosWith each viewing of The Fountainhead rather than growing tired of the 65 year old picture, I admire it more and more. Raymond Massey was never more sleazy (in the first two-thirds of the movie), Cooper, strong, silent, never more Cooperesque than in The Fountainhead and Patricia Neal, never more be... Read full article
The Fountainhead, Often and Oftener Viewings Makes It Better and Better
By C. S. Williams on Dec 8, 2014 From Classic Film AficionadosWith each viewing of The Fountainhead rather than growing tired of the 65 year old picture, I admire it more and more. Raymond Massey was never more sleazy (in the first two-thirds of the movie), Cooper, strong, silent, never more Cooperesque than in The Fountainhead and Patricia Neal, never more be... Read full article
The Fountainhead, Often and Oftener Viewings Makes It Better and Better
By C. S. Williams on Dec 8, 2014 From Classic Film AficionadosWith each viewing of The Fountainhead rather than growing tired of the 65 year old picture, I admire it more and more. Raymond Massey was never more sleazy (in the first two-thirds of the movie), Cooper, strong, silent, never more Cooperesque than in The Fountainhead and Patricia Neal, never more be... Read full article
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Quotes from
Gail Wynand: No.
Dominique Francon: Thank you. You're making it easier for me.
Gail Wynand: Whatever your reason, I shall accept it. What I want to find in our marriage will remain my own concern. I exact no promises and impose no obligations. Incidentally, since it is of no importance to you, I love you.
Howard Roark: Our country, the noblest country in the history of men, was based on the principle of individualism. The principle of man's inalienable rights. It was a country where a man was free to seek his own happiness, to gain and produce, not to give up and renounce. To prosper, not to starve. To achieve, not to plunder. To hold as his highest possession a sense of his personal value. And as his highest virtue, his self respect. Look at the results. That is what the collectivists are now asking you to destroy, as much of the earth has been destroyed.
Peter Keating: You can't hope to survive unless you learn how to compromise. Now, watch me! In just a few short years I'll shoot to the top of the architectural profession because I'm going to give the public what it wants.
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Facts about
According to Barbara Branden's biography, Ayn Rand was furious when the courtroom speech was edited without her approval and refused to ever work with Warner Bros. in the future.
The film's failure was largely attributed to Gary Cooper, who at 47 was much older than his twenty-something character and was considered by many critics to be unconvincing playing a man with high ideals.
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