The Black Cat (1934) | |
| Director(s) | Edgar G. Ulmer |
| Producer(s) | E.M. Asher (supervising uncredited), Carl Laemmle Jr. (uncredited) |
| Top Genres | Adventure, Comedy, Crime, Film Adaptation, Horror, Mystery |
| Top Topics | Book-Based |
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The Black Cat Overview:
The Black Cat (1934) was a Horror - Crime Film directed by Edgar G. Ulmer and produced by Carl Laemmle Jr. and E.M. Asher.
SYNOPSIS
Karloff and Lugosi together for the first time in a visually stylish film about a deadly rivalry between a friendly doctor and a sinister architect. A hapless honeymooning couple are the pawns in their game, which involves devil-worship, necrophilia, and chess. A surprisingly dark outing in the early days of Production Code enforcement. One of many similarly named films, this one has nothing to do with the Edgar Allen Poe tale that inspired the title.
(Source: available at Amazon AMC Classic Movie Companion).
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The Black Cat BlogHub Articles:
The Black Cat (1934) (1)
By Kristen on Aug 15, 2012 From Journeys in Classic FilmFinally back on track with a film review, this time getting prepped for Halloween a few months early (although I have a pretty awesome theme of Halloween movies for the blog). ?Today’s film is the 1934 Edgar G. Ulmer film The Black Cat which made my TCM Top Twelve in June. ?The Black Cat was t... Read full article
The Black Cat (1934) (2)
By Lindsey on Jul 16, 2012 From The Motion Pictures(Image via johnsforbiddenplanet.blogspot.com) *This review contains mild spoilers. Joan (Julie Bishop) and Peter Alison (David Manners) are on a honeymoon train in Hungary when a ticket mix-up causes them to have to share their compartment with Dr. Vitus Werdegast (Bela Lugosi), a psychiatrist who i... Read full article
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Quotes from The Black Cat
Hjalmar Poelzig: Come, Vitus, are we men or are we children?
Hjalmar Poelzig: The phone is dead. Do you hear that, Vitus? Even the phone is dead.
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Facts about The Black Cat
Among the unconventional elements of this film was the soundtrack. At a time (early 1930s) when movie music was usually limited to the titles and credits, Edgar G. Ulmer had an almost continuous background score throughout the entire film.
The only Universal picture until The Wolf Man to introduce the major characters during the opening credits, and the actors playing them, with brief clips from the movie.
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