The Gay Divorcee Overview:

The Gay Divorcee (1934) was a Comedy - Musical Film directed by Mark Sandrich and produced by Pandro S. Berman.

The film was based on the musical Gay Divorce written by Dwight Taylor performed at the Ethel Barrymore Theatre, NY & Shubert Theatre, NY from Nov 29, 1932 - Jul 1, 1933.

SYNOPSIS

A lively adaptation of the stage musical, which featured Astaire and his sister, Adele, and the first film in which Astaire and Rogers actually received star billing. While vacationing at an English seaside resort, a soon-to-be-divorced woman mistakes a lovestruck song-and-dance man for her paid correspondent. As usual, the plot's not important when you see these two and hear classics like Cole Porter's "Night and Day."

(Source: available at Amazon AMC Classic Movie Companion).

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Academy Awards 1934 --- Ceremony Number 7 (source: AMPAS)

AwardRecipientResult
Best Art DirectionVan Nest Polglase, Carroll ClarkNominated
Best Music - ScoringRKO Radio Studio Music Department, Max Steiner, head of department (Score by Kenneth Webb and SamueNominated
Best Music - SongMusic by Con Conrad; Lyrics by Herb MagidsonWon
Best PictureRKO RadioNominated
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BlogHub Articles:

Silver Screen Standards: The Gay Divorcee (1934)

By Jennifer Garlen on May 11, 2021 From Classic Movie Hub Blog

Silver Screen Standards: The Gay Divorcee (1934) The Gay Divorcee (1934) I knew I wanted to write about Fred Astaire and Ginger Rogers for this month?s column, but with ten movies to choose from the hard part was deciding which one I particularly wanted to watch again. Top Hat (1935) and Swing... Read full article


The Gay Divorcee (1934): The Astaire & Rogers Foolproof Formula

By 4 Star Film Fan on May 5, 2020 From 4 Star Films

The plots to the Astaire and Rogers musicals are usually deceptively simple. Thus, thanks be to their dancing transcending it all. The affair opens in some posh corner of Europe where the always dithering Edward Everett Horton is sitting with Fred Astaire who has to prove his identity to get out of ... Read full article


Musical Monday: The Gay Divorcee (1934)

on Feb 27, 2017 From Comet Over Hollywood

It?s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals. This week?s musical: “The Gay Divorcee̶... Read full article


The Gay Divorcee (1934)

By smumcountry on Dec 30, 2016 From Smum County

December 30, 2016 by smumcounty With the recent release of ?La La Land? (2016) in theaters, the first big budget musical in many moons, it got me thinking about what makes a great musical and what attracts people to them, or, at least, used to attract people to them. With this in mind, let?s look at... Read full article


The Gay Divorcee (1934)

on Jul 27, 2015 From Journeys in Classic Film

The final week of The July Five is upon us. But don’t be too sad…we’re gonna end ?the month dancing with the illustrious duo, Fred Astaire and Ginger Rogers! I’ve included several of their films on previous TCM Top Ten lists, but have only seen one, The Barkleys of Broadway (... Read full article


See all The Gay Divorcee articles

Quotes from

Mimi Glossop: [singing] Beautiful music... Dangerous rhythm... It's something daring, The Continental. A way of dancing that's really 'entre nous'. It's very subtle, The Continental, because it does what you want it to do. It has a passion, The Continental. An invitation to moonlight and romance. It's quite the fashion, The Continental, because you tell of your love while you dance. Your lips whisper so tenderly. Her eyes answer your song. Two bodies swaying, The Continental, and you are saying just what you're dreaming of. So keep on dancing, The Continental. For it's a song of romance and of love. You kiss while you're dancing... The Continental, it's continental. You sing while you're dancing. Your voice is gentle and sentimental. You stroll together arm in arm. You non-challantly glide along with grace and charm. You will find while you're dancing that there's a rhythm in your heart and soul -- a certain rhythm that you can't control and you will do the Continental all the time.


Mimi Glossop: He seemed so different.
Aunt Hortense: Oh there's nothing different about any of them -- except their neck ties.


Egbert Fitzgerald: Guy, you're not pining for that girl!
Guy Holden: Pining? Men don't pine. Girls pine. Men just... suffer.


read more quotes from The Gay Divorcee...

Facts about

Erik Rhodes, who plays Tonetti, repeats his stage role from the Broadway musical "Gay Divorce", on which this is based.
The jumpsuit that Betty Grable wears in the "Let's Knock Knees" dance number was a garment previously worn by Dolores del Rio in Flying Down to Rio.
The bugle call at the beginning of the "Don't Let It Bother You" dance was developed from clowning during rehearsals, and became an in-joke in future Fred Astaire and Ginger Rogers films.
read more facts about The Gay Divorcee...
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Best Music - Song Oscar 1934




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Also directed by Mark Sandrich




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Also produced by Pandro S. Berman




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