The Agony and the Ecstasy (1965) | |
Director(s) | Carol Reed |
Producer(s) | Carol Reed |
Top Genres | Biographical, Drama, Film Adaptation, Historical |
Top Topics | Artists, Book-Based, Period Piece, True Story (based on) |
Featured Cast:
The Agony and the Ecstasy Overview:
The Agony and the Ecstasy (1965) was a Biographical - Historical Film directed by Carol Reed and produced by Carol Reed.
Academy Awards 1965 --- Ceremony Number 38 (source: AMPAS)
Award | Recipient | Result |
Best Art Direction | Art Direction: John DeCuir, Jack Martin Smith; Set Decoration: Dario Simoni | Nominated |
Best Cinematography | Leon Shamroy | Nominated |
Best Costume Design | Vittorio Nino Novarese | Nominated |
Best Music - Scoring | Alex North | Nominated |
BlogHub Articles:
The Agony and the Ecstasy (1965)
By Beatrice on Sep 25, 2018 From Flickers in TimeThe Agony and the Ecstasy Directed by Carol Reed Written by Philip Dunne based on the novel by Irving Stone 1965/USA/Italy Twentieth Century Fox/International Classics/Dino de Laurentis Cinematografica/Cinecitta First viewing/Netflix rental Looks like Carol Reed lost his vision when he started filmi... Read full article
Now on Netflix: The Agony and The Ecstasy
By Amanda Garrett on Jan 2, 2015 From Old Hollywood FilmsThe Michelangelo biopic The Agony and the Ecstasy (1965) starring Charlton Heston and Rex Harrison is now streaming on Netflix Instant. Director: Carol Reed. Stars: Charlton Heston, Rex Harrison and Diane Cilento. Running time: 138 minutes. Plot: Frustrated sculptor Michelangelo (Heston... Read full article
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Quotes from
Pope Julius II: You dare to dicker with your pontiff?
Pope Julius II: What do you think we should do here? Bramante wants to pull it down. He likes pulling things down! No, I want to do something less destructive.
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Facts about
Charlton Heston put a steel rod in his nose to make it resemble Michelangelo's broken one, but Rex Harrison steadfastly refused to grow a beard, even though the real-life Julius II had one.
The Sistine Chapel could not be used for filming the painting of its ceiling so it was recreated on a sound stage at Cinecittà Studios, Rome, Italy.
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