The Agony and the Ecstasy Overview:

The Agony and the Ecstasy (1965) was a Biographical - Historical Film directed by Carol Reed and produced by Carol Reed.

Academy Awards 1965 --- Ceremony Number 38 (source: AMPAS)

AwardRecipientResult
Best Art DirectionArt Direction: John DeCuir, Jack Martin Smith; Set Decoration: Dario SimoniNominated
Best CinematographyLeon ShamroyNominated
Best Costume DesignVittorio Nino NovareseNominated
Best Music - ScoringAlex NorthNominated
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BlogHub Articles:

The Agony and the Ecstasy (1965)

By Beatrice on Sep 25, 2018 From Flickers in Time

The Agony and the Ecstasy Directed by Carol Reed Written by Philip Dunne based on the novel by Irving Stone 1965/USA/Italy Twentieth Century Fox/International Classics/Dino de Laurentis Cinematografica/Cinecitta First viewing/Netflix rental Looks like Carol Reed lost his vision when he started filmi... Read full article


Now on Netflix: The Agony and The Ecstasy

By Amanda Garrett on Jan 2, 2015 From Old Hollywood Films

The Michelangelo biopic The Agony and the Ecstasy (1965) starring Charlton Heston and Rex Harrison is now streaming on Netflix Instant. Director: Carol Reed. Stars: Charlton Heston, Rex Harrison and Diane Cilento. Running time: 138 minutes. Plot: Frustrated sculptor Michelangelo (Heston... Read full article


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Quotes from

Contessina de Medici: Your question insults us both!


Pope Julius II: You dare to dicker with your pontiff?


Pope Julius II: What do you think we should do here? Bramante wants to pull it down. He likes pulling things down! No, I want to do something less destructive.


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Facts about

In the film, the quarries that Michelangelo (Charlton Heston) sourced for the marble for his sculptures were the actual quarries attended by the real Michelangelo at Carrara, Massa-Carrara, Tuscany, Italy.
Charlton Heston put a steel rod in his nose to make it resemble Michelangelo's broken one, but Rex Harrison steadfastly refused to grow a beard, even though the real-life Julius II had one.
The Sistine Chapel could not be used for filming the painting of its ceiling so it was recreated on a sound stage at Cinecittà Studios, Rome, Italy.
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