One, Two, Three (1961) | |
Director(s) | Billy Wilder |
Producer(s) | I.A.L. Diamond (associate), Doane Harrison (associate), Billy Wilder |
Top Genres | Comedy, Film Adaptation |
Top Topics | Based on Play, Cold War, Politics, Satire, Secretaries |
Featured Cast:
One, Two, Three Overview:
One, Two, Three (1961) was a Comedy - Black-and-white Film directed by Billy Wilder and produced by Billy Wilder, I.A.L. Diamond and Doane Harrison.
SYNOPSIS
Yet another great Wilder effort (he also wrote the blistering screenplay with longtime collaborator Diamond), this time a sprinting comedy of clashing ideologies subverted by love. Cagney's last film finds him as a fast-talking, hard-driving head of the German branch of Coca-Cola. Worlds collide as he volunteers to babysit Tiffin, the teenage daughter of a Coke executive from the home office. He loses her, then finds her in love with East German communist beatnik, Buchholtz. Cagney frames him to get him away from Tiffin, then discovers that he and Tiffin are not just married, but expecting. Cagney rescues the kid, but then loses his job to the reformed communist. Notable score by Previn.
(Source: available at Amazon AMC Classic Movie Companion).
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Academy Awards 1961 --- Ceremony Number 34 (source: AMPAS)
Award | Recipient | Result |
Best Cinematography | Daniel L. Fapp | Nominated |
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Quotes from
C.R. MacNamara: That's gratitude after all the trouble I went through to get you out of jail!
Otto: You got me into jail!
C.R. MacNamara: So we're even!
Borodenko: When will papers be ready?
C.R. Macnamara: I'll put my secretary right to work on it.
Mishkin: Your secretary? She's that blond lady?
C.R. Macnamara: That's the one.
Peripetchikoff: [after conferring with the others] You will send papers to East Berlin with blond lady in triplicate.
C.R. Macnamara: You want the papers in triplicate, or the blond in triplicate?
Peripetchikoff: See what you can do.
C.R. MacNamara: It's that damned German efficiency.
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Facts about
When asked in 1974 why he made a film about Coca Cola, Billy Wilder responded, "I just think Coca-Cola to be funny. And when I drink it, it seems even funnier to me."
When Billy Wilder was at Paramount, he often clashed with an executive at the studio named Y. Frank Freeman. Freeman was from Georgia and would often brag about his extensive holdings of Coca-Cola stock. That relationship was part of the inspiration for this project.
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