The Lost Weekend (1945) | |
| Director(s) | Billy Wilder |
| Producer(s) | Charles Brackett |
| Top Genres | Drama, Film Adaptation |
| Top Topics | Alcohol, Book-Based |
Featured Cast:
The Lost Weekend Overview:
The Lost Weekend (1945) was a Drama - Film Adaptation Film directed by Billy Wilder and produced by Charles Brackett.
The film was based on the novel of the same name written by Charles R. Jackson published in 1944.
SYNOPSIS
This portrait of alcohol's deadly grip is perhaps the greatest of the social-problem films, and a rewarding, harrowing movie experience. Milland gives the performance of a lifetime as a writer who encounters the depths of his soul on a weekend alone in New York. When his brother (Terry) goes on vacation, leaving Milland alone to write, the bottles come out before the typewriter. Before the weekend is over, Milland will have lost his money, his freedom, and his grip on reality as he descends into the alcoholic abyss. Justly praised upon its first, limited release, the movie was almost scrapped when the alcoholic beverage industry is offered millions for the negative, and studio executives questioned its commercial potential. Milland explored the darkest corners of society researching the role, spending the night in New York's Bellevue Hospital (the setting for some of the most disturbing sequences) on the alcoholic ward. Based on Charles Jackson's 1944 novel.
(Source: available at Amazon AMC Classic Movie Companion).
.The Lost Weekend was inducted into the National Film Registry in 2011.
Academy Awards 1945 --- Ceremony Number 18 (source: AMPAS)
| Award | Recipient | Result |
| Best Actor | Ray Milland | Won |
| Best Cinematography | John F. Seitz | Nominated |
| Best Director | Billy Wilder | Won |
| Best Film Editing | Doane Harrison | Nominated |
| Best Music - Scoring | Miklos Rozsa | Nominated |
| Best Picture | Paramount | Won |
| Best Writing | Charles Brackett, Billy Wilder | Won |
BlogHub Articles:
The Lost Weekend (1945) and Alcohol The Femme Fatale
By 4 Star Film Fan on Feb 10, 2021 From 4 Star FilmsIt might be a futile exercise but at least for a brief moment, I will attempt to get back into the headspace from when I first came upon Billy Wilder’s The Lost Weekend. I was younger then. Bright-eyed and a budding cinephile. It is the film that defined Ray Milland’s entire filmography ... Read full article
Ray Milland in The Lost Weekend (1945)
By Carol Martinheira on Mar 1, 2018 From The Old Hollywood GardenRay Milland in The Lost Weekend (1945) On March 1, 2018March 1, 2018 By CarolIn Uncategorized Because it?s Oscar season, I wanted to talk about one of my all-time favorite performances in the Best Actor in a Leading Role category, the wonderful Ray Milland in The Lost ... Read full article
The Lost Weekend (1945)
By Cameron on Apr 10, 2015 From The Blonde At The Filmvia: http://screeninsight.blogspot.com/2012/08/the-lost-weekend-billy-wilder-1945.html ?Unless otherwise noted, all images are my own. In 1945, The New York Times critic Bosley Crowther called?The Lost Weekend?a “shatteringly realistic and morbidly fascinating film…an illustration of a d... Read full article
The Lost Weekend (1945)
By Cameron on Apr 10, 2015 From The Blonde At The Filmvia: http://screeninsight.blogspot.com/2012/08/the-lost-weekend-billy-wilder-1945.html ?Unless otherwise noted, all images are my own. In 1945, The New York Times critic Bosley Crowther called?The Lost Weekend?a “shatteringly realistic and morbidly fascinating film…an illustration of a d... Read full article
The Lost Weekend
By Michael on Jan 20, 2014 From Le Mot du CinephiliaqueThe Lost Weekend (Billy Wilder, 1945) The film recounts the life of an alcoholic New York writer, Don Birnam (Ray Milland), over the last half of a six-year period, and in particular on a weekend alcoholic binge. Preparing for a weekend away, Don and his brother Wick (Philip Terry), Don canR... Read full article
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Quotes from
Nat: One's too many an' a hundred's not enough.
Don Birnam: It shrinks my liver, doesn't it, Nat? It pickles my kidneys, yeah. But what it does to the mind? It tosses the sandbags overboard so the balloon can soar. Suddenly I'm above the ordinary. I'm competent. I'm walking a tightrope over Niagara Falls. I'm one of the great ones. I'm Michaelangelo, molding the beard of Moses. I'm Van Gogh painting pure sunlight. I'm Horowitz, playing the Emperor Concerto. I'm John Barrymore before movies got him by the throat. I'm Jesse James and his two brothers, all three of them. I'm W. Shakespeare. And out there it's not Third Avenue any longer, it's the Nile. Nat, it's the Nile and down it moves the barge of Cleopatra.
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Facts about
Studio advisers warned Ray Milland that this would be the death of his career. Milland himself was initially reluctant to take the part, as it had been turned down by many other leading actors of the day. However, Paramount was convinced that the only way they could sell such a film was with a matinée idol in the lead. Billy Wilder acquiesced to this only when it became clear that his first choice, José Ferrer, would not land the part.
Upon completion, Billy Wilder confidently predicted that Ray Milland would win an Oscar for his performance. He was right.
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