Carousel (1956)

Julie Jordan: [singing] And, what's the use of wonderin' / If the endin' will be sad? / He's your feller and you love him / There's nothin' more to say.

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Jigger Craigin: 'Course, if you've got all the money you want, and you...
Billy Bigelow: I ain't got a cent! Money thinks I'm dead.

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Billy: [singing] Longing to tell you, but afraid and shy / I let my golden chances pass me by. / Now, I've lost you / Soon I will go in the mist of day / And you never will know / How I loved you / How I loved you.

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In 1956, Twentieth Century-Fox had two Richard Rodgers and Oscar Hammerstein II films in release - this film and The King and I, as well as the CinemaScope version of Oklahoma!. "Carousel", although a critical success, was a box-office failure (probably because of its very serious, downbeat plot), while "The King and I" was a smash hit both critically and financially. Because of this, Fox put all of its Oscar campaign clout behind "The King and I". The result was that "The King and I" was nominated for, and received, several Oscars, while "Carousel" became one of only two Rodgers and Hammerstein films to be completely shut out of the Academy Awards (the other being the critically savaged and unsuccessful 1962 remake of "State Fair"). Conductor and music supervisor Alfred Newman led the orchestra for both "Carousel" and "The King and I", and won for the latter film. One of "Carousel"'s art directors, Lyle R. Wheeler, and one of its set decorators, Walter M. Scott, also worked on "The King and I", and, like Newman, won Oscars for tha The original stage production of "Carousel" opened at the Majestic Theatre in New York on April 19, 1945 and ran for 890 performances (a little over two years). Of their five great musical classics - the others were "Oklahoma!", "South Pacific", "The King and I", and "The Sound of Music" - it was the one that had the shortest run, probably because of its very serious plot. But it is the one most highly regarded by many critics, and several of its songs are classics.
Richard Rodgers always considered "Carousel" his favorite score, even though it didn't generate the number of popular hits that some of the other shows he produced with lyricist Oscar Hammerstein II did.
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