Around the World in Eighty Days (1956) | |
| Director(s) | Michael Anderson |
| Producer(s) | William Cameron Menzies (associate), Michael Todd, Kevin McClory (associate uncredited) |
| Top Genres | Adventure, Comedy, Family, Fantasy, Romance |
| Top Topics | Book-Based, Exotic Lands, Money |
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Around the World in Eighty Days Overview:
Around the World in Eighty Days (1956) was a Adventure - Comedy Film directed by Michael Anderson and produced by Kevin McClory, William Cameron Menzies and Michael Todd.
The film was based on the novel Around the World in 80 Days written by Jules Verne published in 1873.
SYNOPSIS
Niven is perfect as an imperturbable English gentleman who attempts to win a bet by circumnavigating the globe in 80 days. The Jules Verne story, 100 locations, 40 cameo appearances by Hollywood players, a Young score, and Perelman among the writers guarantees delightful family fare. The beginning features a prologue by esteemed journalist Edward R. Murrow and the first film to be based on a Jules Verne novel, George Melies's 1902 short, A Trip to the Moon. Shot in Mike Todd's Todd A-O widescreen process.
(Source: available at Amazon AMC Classic Movie Companion).
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Academy Awards 1956 --- Ceremony Number 29 (source: AMPAS)
| Award | Recipient | Result |
| Best Director | Michael Anderson | Nominated |
| Best Picture | Michael Todd, Producer | Won |
BlogHub Articles:
Around the World in Eighty Days (1956)
By Beatrice on May 7, 2016 From Flickers in TimeAround the World in Eighty Days Directed by Michael Anderson Written by James Poe, John Farrow, and S.J. Perelman from the novel by Jules Verne 1956/USA Michael Todd Company Repeat viewing/Netflix rental Beautiful location shots, a cast of thousands and three hours?add up to?a whole lot of nothin... Read full article
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Facts about
This is the second Todd-AO production (the first was Oklahoma!) shot twice, at 24 fps (to produce the general-release version in 35 mm) and at 30 fps (to produce the roadshow version in 70 mm). Both versions were shot on 65 mm negative with Todd-AO lenses. Sometimes two cameras operated side-by-side filming the same take, other times the same camera was used with the speed changed for the second take, and still other times, in non-dialogue scenes, the same shot was used. The 35 mm version is presented in conventional 2:1 squeeze anamorphic process (incorrectly credited to Todd-AO); the 70 mm version is presented in Todd-AO.
Some sources list Ava Gardner as one of the cameo performers in this film. It is unclear whether or not she may have contributed to the film with her performance being cut, or whether this is simply an error.
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