Ann Vickers (1933) | |
Director(s) | John Cromwell |
Producer(s) | Pandro S. Berman, Merian C. Cooper (executive) |
Top Genres | Drama, Romance |
Top Topics | Pre-Code Cinema |
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Ann Vickers Overview:
Ann Vickers (1933) was a Drama - Romance Film directed by John Cromwell and produced by Pandro S. Berman and Merian C. Cooper.
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Pre-Code Crazy: Ann Vickers (1933)
By shadowsandsatin on Sep 4, 2016 From Shadows and SatinIn my experience, pre-Code movies with a woman?s name in the title tend to serve up title characters who are multifaceted, strong-willed, take-no-crap dames ? Frisco Jenny?(1932), Blondie Johnson?(1933), Lilly Turner?(1933), and Sadie McKee (1934) are among those that spring most immediately to mind... Read full article
Ann Vickers (1933) with Irene Dunne
By Orson De Welles on Feb 4, 2016 From Classic Film FreakShare This! Ann Vickers is an odd sort of film.? Knowing nothing of it when watched, seeing that it?s based on a Sinclair Lewis novel of the same name was the first clue.? Lewis never wrote lightly and is usually remembered as one of literature?s more noted social commentators.? With both the novel ... Read full article
Ann Vickers (1933)
By Kayla on Dec 17, 2015 From The Cinema DilettanteAnn Vickers (1933) December 17, 2015 / The Cinema Dilettante Irene Dunne in a publicity photo for Ann Vickers, 1933 Irene Dunne. How do I adore thee? The ways are innumerable. As with most children of the 90’s, who were of a special brand of awesome, I was introduced to Iren... Read full article
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Facts about
Sarah Padden, who is listed as a black woman, supposedly played her role in black-face, since she is not black. She was not seen in the film, but may have been the prisoner executed by hanging. She is seen in long shot and is not recognizable. 'Reginald Barlow' is barely recognizable as the Chaplain following her and reciting a prayer. J. Carrol Naish has a very brief scene lying in bed in an alcoholic stupor. He has no lines. It is a credit to their agents that these three all received on-screen credits.
Director John Cromwell often played uncredited cameos in his films. In this one, he's the sad-faced doughboy at the settlement party; there are three good shots of him looking piningly at Irene Dunne.
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