Words and Music (1948) | |
Director(s) | Norman Taurog |
Producer(s) | Arthur Freed |
Top Genres | Biographical, Comedy, Musical |
Top Topics | Musicians, True Story (based on) |
Featured Cast:
Words and Music Overview:
Words and Music (1948) was a Biographical - Comedy Film directed by Norman Taurog and produced by Arthur Freed.
BlogHub Articles:
Musical Monday: Words and Music (1948)
on Apr 4, 2016 From Comet Over HollywoodIt?s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals. This week?s musical: Words And Music(1948)? Music... Read full article
Musical Monday: Words and Music (1948)
on Apr 4, 2016 From Comet Over HollywoodIt?s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals. This week?s musical: Words And Music(1948)? Music... Read full article
Words and Music (1948)
By Emily on Feb 11, 2014 From The Vintage CameoBefore Rodgers and Hammerstein, there was Rodgers and Hart: Richard Rodgers?and Lorenz Hart, that is, the?popular Depression-era songwriting duo responsible for a bevy of songs now commonly accepted as American cultural currency?”Blue Moon,” “The Lady is a Tramp,” and “... Read full article
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Quotes from
Lorenz Hart: You will after you've known me ten or fifteen years.
Lorenz Hart: Miserable? Me? I'm always happy!
Dorothy Feiner Rodgers: No one's always happy.
Lorenz Hart: Alright, so I'm slightly miserable
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Facts about
Lena Horne's prerecording of "Where or When," a standard first heard in the 1937 Broadway show, "Babes in Arms," contains the verse, which was not used in the release print. Her complete rendition was first presented on the MGM Records soundtrack album. In the CD era, there are two offerings of Lena's full version: the soundtrack from Sony and a collection from Rhino, "Lena Horne at Metro-Goldwyn-Mayer: Ain' It the Truth."
Judy Garland was scheduled only to sing with Mickey Rooney in this film, and producer Arthur Freed offered her $50,000 (or half of what she owed the studio for medical bills) to do one take. At the first public screening, the fans asked for more of her, so Freed offered her another $50,000 to do a second song. By the time her scenes were filmed, she had paid back the studio but had made nothing.
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