Winchester '73 Overview:

Winchester '73 (1950) was a Western Film directed by Anthony Mann and produced by Aaron Rosenberg.

BlogHub Articles:

James Stewart and Anthony Mann Team Up for Winchester '73

By Rick29 on Apr 14, 2014 From Classic Film & TV Cafe

I think it's fair to say that Winchester '73 ushered in the "adult Western" of the 1950s. Although there were earlier Westerns with flawed heroes, hard-edged films like Winchester '73 reinvented the genre. Their protagonists were rugged men--often with a dark past--focused on revenge (Rancho Notorio... Read full article


Winchester '73

By Michael on Aug 11, 2010 From Le Mot du Cinephiliaque

Winchester '73 (Anthony Mann, 1950)In the vein of Great Wersterns Winchester '73 is often overlooked. It's obvious that the Western spaghetti genre revolutionned or revisionnized the way Western were made. But before this revolution, the genre always been one of the most popular in American Cinema. ... Read full article


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Quotes from

[after Lola and Steve escape from the Indians into the cavalry camp]
Lola Manners: Do you mind if I kiss you?
Sgt. Wilkes: No, ma'am, I'd like it. Providin' your man don't mind.
[she kisses him]
Lola Manners: That's for savin' my life.
Sgt. Wilkes: Now you disappoint me. I thought it was 'cause I'm pretty. Got some coffee boilin' on the fire. Wanna just sorta help yourself?
Lola Manners: Oh, coffee. You know, now that I look at you... you ARE pretty.


Dutch Henry Brown: Haven't I seen you somewhere?
Lola Manners: I've been somewhere.


Joe Lamont: Indian smoke always means the same thing... trouble.


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Facts about

Fritz Lang was originally slated to direct this movie. When he backed out, James Stewart recommended Anthony Mann. In the early 1930s Stewart had worked with Mann in the theater.
In the famous scene where James Stewart shoots a bullet through the washer with the postage stamp...that is not Hollywood magic. The shot is performed successfully by renowned marksman Herb Parsons.
The filmmakers did not have the budget to pay James Stewart his requested fee of $200,000, so he suggested they take the then-unusual step of paying him a cut of the profits instead. This deal, the first of its kind since the advent of talkies, would soon become the norm and change the studio-agent-actor relationship, leading to the demise of the long-term contract and the studio system. Stewart is believed to have made around $600,000 from this film.
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