The Yellow Rolls-Royce (1964) | |
| Director(s) | Anthony Asquith |
| Producer(s) | Anatole de Grunwald, Roy Parkinson (associate) |
| Top Genres | Comedy, Drama, Romance |
| Top Topics | |
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The Yellow Rolls-Royce Overview:
The Yellow Rolls-Royce (1964) was a Drama - Romance Film directed by Anthony Asquith and produced by Anatole de Grunwald and Roy Parkinson.
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The Yellow Rolls-Royce ( 1964 )
By The Metzinger Sisters on Sep 20, 2022 From Silver Scenes - A Blog for Classic Film LoversRex Harrison, Shirley MacLaine, and Ingrid Bergman head up the all-star cast of The Yellow Rolls-Royce, a colorful anthology film of three stories linked together by a sparkling 1931 Rolls-Royce Phantom II. The opening segment shows the first owner of the beautiful Rolls, the Marquess of Frinton ( R... Read full article
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Quotes from
Paolo Maltese:
[Pointing at the Cathedral of Pisa with pride] Look at it.
Mae Jenkins: What is it?
Paolo Maltese: The Cathedral. That is the most beautiful and the most famous cathedral in the whole world.
Mae Jenkins: Yeah, it's got too many pillars.
Paolo Maltese: Too many pillars...
Mae Jenkins: Yeah.
Paolo Maltese: Listen to me. That is the most beautiful and the most famous cathedral in the whole WORLD.
Mae Jenkins: It's got too many pillars!
Paolo Maltese: It was built in 1050!
Mae Jenkins: Yeah, so in 1050 they put in too many pillars!
Paolo Maltese: [Turning toward the Baptistery] This over here is the Baptistery. From all over the world...
Mae Jenkins: Oh well.
[and walks away]
Paolo Maltese: [Catches up with her, exasperated] Listen. THAT is the Baptistery. From all over the world people are coming here everyday just to look at it.
Mae Jenkins: Well, I guess they just must like baptisteries.
[Walks away]
Paolo Maltese: [Turning to Joey] Without exception, Joey, without challenge from anyone anywhere, this is the most stupidest, the most unfeelingest, the most uncooperative broad in the whole planet.
Paolo Maltese: And this is the girl, my fidanzata, that I am bringing home to meet my folks. Of all the women in the whole world that I can choose from to be my wife, who do I choose? An ignorant slob of a hatcheck girl who thinks Pisa - Piazza del Duomo in Pisa, Joey - is a stopping-off place between hamburger joints.
read more quotes from The Yellow Rolls-Royce...
Mae Jenkins: What is it?
Paolo Maltese: The Cathedral. That is the most beautiful and the most famous cathedral in the whole world.
Mae Jenkins: Yeah, it's got too many pillars.
Paolo Maltese: Too many pillars...
Mae Jenkins: Yeah.
Paolo Maltese: Listen to me. That is the most beautiful and the most famous cathedral in the whole WORLD.
Mae Jenkins: It's got too many pillars!
Paolo Maltese: It was built in 1050!
Mae Jenkins: Yeah, so in 1050 they put in too many pillars!
Paolo Maltese: [Turning toward the Baptistery] This over here is the Baptistery. From all over the world...
Mae Jenkins: Oh well.
[and walks away]
Paolo Maltese: [Catches up with her, exasperated] Listen. THAT is the Baptistery. From all over the world people are coming here everyday just to look at it.
Mae Jenkins: Well, I guess they just must like baptisteries.
[Walks away]
Paolo Maltese: [Turning to Joey] Without exception, Joey, without challenge from anyone anywhere, this is the most stupidest, the most unfeelingest, the most uncooperative broad in the whole planet.
Paolo Maltese: And this is the girl, my fidanzata, that I am bringing home to meet my folks. Of all the women in the whole world that I can choose from to be my wife, who do I choose? An ignorant slob of a hatcheck girl who thinks Pisa - Piazza del Duomo in Pisa, Joey - is a stopping-off place between hamburger joints.
read more quotes from The Yellow Rolls-Royce...
Facts about
Final film of Joyce Grenfell.
The Rolls-Royce used in the film was a pale blue 1930 Phantom II Sedanca de Ville, which M-G-M technicians covered with 20 coats of yellow paint; a few coats of black were added to the top of the hood, the roof, and the wings.
Film debut of Jonathan Cecil.
read more facts about The Yellow Rolls-Royce...
The Rolls-Royce used in the film was a pale blue 1930 Phantom II Sedanca de Ville, which M-G-M technicians covered with 20 coats of yellow paint; a few coats of black were added to the top of the hood, the roof, and the wings.
Film debut of Jonathan Cecil.
read more facts about The Yellow Rolls-Royce...
