The Paradine Case (1947) | |
Director(s) | Alfred Hitchcock |
Producer(s) | David O. Selznick (uncredited) |
Top Genres | Crime, Drama, Film Noir, Mystery, Romance, Thriller/Suspense |
Top Topics | Courtroom |
Featured Cast:
The Paradine Case Overview:
The Paradine Case (1947) was a Crime - Drama Film directed by Alfred Hitchcock and produced by David O. Selznick.
SYNOPSIS
This is the last of the films Hitchcock directed under producer Selznick, who co-wrote the script. A happily married English barrister (Peck) falls in love with a beautiful client (Valli) accused of murdering her husband. Peck learns of Valli's affair with her stableman (Jourdan) and calls him to the stand. The result is a stunning reversal and death. In pure Selznick style, nearly a third of the film's budget went to re-creating the original courtroom on the set. Valli and Jourdan's American film debuts.
(Source: available at Amazon AMC Classic Movie Companion).
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Academy Awards 1947 --- Ceremony Number 20 (source: AMPAS)
Award | Recipient | Result |
Best Supporting Actress | Ethel Barrymore | Nominated |
BlogHub Articles:
Noir I Don’t Care For: The Paradine Case (1947)
By shadowsandsatin on Jul 4, 2021 From Shadows and SatinAs I?ve mentioned a time or two in previous posts, I am a member of a classic movie meetup group that continued to flourish throughout the pandemic; each week, we’re assigned an old movie that?s available on YouTube, and then we gather via Zoom to discuss it. Moderated by Steven Reginald over ... Read full article
Gregory Peck tops the cast in Alfred Hitchcock’s “The Paradine Case”
By Stephen Reginald on Jun 23, 2021 From Classic Movie ManGregory Peck tops the cast in Alfred Hitchcock’s “The Paradine Case” The Paradine Case (1947) is an American courtroom drama directed by Alfred Hitchcock and starring Gregory Peck, Ann Todd, Charles Laughton, Charles Coburn, and Ethel Barrymore. The film introduced Alida Valli... Read full article
The Paradine Case
By Amanda Garrett on Aug 17, 2017 From Old Hollywood FilmsToday, I'm reviewing The Paradine Case (1947). Director Alfred Hitchcock's courtroom drama is about a mysterious woman (Alida Valli) who may have murdered her blind husband. This article is part of The Third Annual Barrymore Trilogy Blogathon hosted by In the Good Old Days of Classic Hollywood. ... Read full article
Blu-ray Review: The Paradine Case
By Devon Powell on Jun 1, 2017 From Hitchcock MasterDistributor: Kino Lorber Release Date: May 30, 2017 Region: Region Free Length: 01:54:16 Video: 1080P (MPEG-4, AVC) Main Audio: 2.0 English DTS-HD Master Audio (48 kHz, 1556 kbps, 16-bit) Subtitles: English SDH Ratio: 1.37:1 Bitrate: 23.92 Mbps Notes: This is the film?s North American Blu-ray debut.... Read full article
THE PARADINE CASE ( 1947 )
By Theresa Brown on Jun 14, 2016 From CineMaven's Essays from the CouchHitchcock introduces us to Mrs. Paradine. His camera slowly revolves around her. He gives her a breathtaking close-up which brings us closer to her than personal decorum or propriety would allow. Alida Valli plays Mrs. Paradine, this cool, beautifully austere, unapproachable looking woman. And she ... Read full article
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Quotes from
Anthony Keane, Counsel for the Defense: Is anyone living at the hall now?
Driver: Only the caretaker, Mrs. Clarr - maybe Andre's back from London now. They say he knows more about the poor Colonel's death than he would tell. He's a queer one, all right.
Anthony Keane, Counsel for the Defense: In what way?
Driver: Oh, I don't know. He keeps himself to himself - perhaps that's because he's foreign. They never do seem quite the same, do they, sir?
Gay Keane: Tony's torn him to pieces - it was horrible.
Judy Flaquer: But darling, you've got to remember, its Tony's job.
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Facts about
Alfred Hitchcock and David O. Selznick wanted either Ronald Colman or Sir Laurence Olivier for the role "Malcolm Keane." But both were unavailable: Colman was making "A Double Life" and Olivier was making his version of "Hamlet". So the role went to Gregory Peck. And the name "Malcolm Keane" was changed to "Anthony Keane."
The movie cost almost exactly the same to film as Gone with the Wind, with most of the overruns due to David O. Selznick's constant interference with Alfred Hitchcock's carefully budgeted production and his insistence that Hitchcock do extensive re-shoots. Since Hitchcock required that he receive his contractual $1,000-per-day fee, Selznick took over, including supervising editing and the musical score.
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