The Outlaw Overview:

The Outlaw (1943) was a Comedy - Drama Film directed by Howard Hawks and Howard Hughes and produced by Howard Hughes.

SYNOPSIS

An odd amalgam of sublime potential and fascinatingly silly result, this is now remembered mostly for one of the most famous ballyhoo campaigns ever executed for a movie. Huston and Mitchell were capable of delivering memorable performances, Toland was Orson Welles's preferred cinematographer, and Hawks a more than competent director. Unfortunately, they were no match for mogul Hughes's obsession with busty new starlet Russell and a pulpy, virtually fact-free storyline having something to do with Billy the Kid. Release was delayed for years as Hughes plastered the countryside with posters featuring a sultry Russell as he built a story of censorship and licentiousness that successfully reeled in the suckers.

(Source: available at Amazon AMC Classic Movie Companion).

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BlogHub Articles:

What?s Streaming in June on the CMH Channel at BCE? His Girl Friday, The Outlaw, and Father’s Little Dividend

By Annmarie Gatti on Jun 16, 2021 From Classic Movie Hub Blog

Our June Picks on the Classic Movie Hub ChannelJune Birthdays and Fond Memories! Here we go? This month?s free streaming picks for our Classic Movie Hub Channel at Best Classics Ever (BCE) ? the mega streaming channel for classic movies and TV shows! These titles will be available for FREE STR... Read full article


Clint Eastwood's The Outlaw Josey Wales

By Rick29 on Mar 2, 2020 From Classic Film & TV Cafe

While Clint Eastwood's Unforgiven (1992) racked up the critical accolades, I still maintain that the best Eastwood-directed Western is The Outlaw Josey Wales. Made 15 years earlier, Josey Wales is an unflinching portrait of a man coping with the loss of his family as the U.S. tries to heal from the ... Read full article


Day of the Outlaw (1959)

By 4 Star Film Fan on Feb 3, 2019 From 4 Star Films

Filmed in Central Oregon on the eve of winter, Day of The Outlaw displays gorgeously fluffy photography as the snow covers the ground. With the leading?part anchored by Robert Ryan, I could not but help recall his portrayal in Nicholas Ray’s On Dangerous Ground (1951), another project that mad... Read full article


Mae West as the Outlaw: My Little Chickadee

By Judy on Nov 17, 2018 From Cary Grant Won't Eat You

When asked what outlaw I wanted to feature for the Classic Movie Blog Association’s Outlaws blogathon, I immediately thought of Mae West’s character in My LIttle Chickadee. I know Mae West’s siren ways and bumpy pairing with W.C. Fields are more frequently associated with the film,... Read full article


Mae West as the Outlaw: My Little Chickadee

By Judy on Nov 17, 2018 From Cary Grant Won't Eat You

When asked what outlaw I wanted to feature for the Classic Movie Blog Association’s Outlaws blogathon, I immediately thought of Mae West’s character in My LIttle Chickadee. I know Mae West’s siren ways and bumpy pairing with W.C. Fields are more frequently associated with the film,... Read full article


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Quotes from

[first lines]
Townsman: Doc Holliday just got off the stagecoach! Do you want me and some of the boys to come along with you?
Pat Garrett: Why do ask that?
Townsman: Well, I certainly wouldn't want to fool around with him if I were alone.
Pat Garrett: I don't blame you, but I ain't gonna make no trouble for Doc Holliday. He's my best friend!


[Pat and Doc rescue Rio, whom Billy has left bound, gagged and strung up by wrists within sight of a desert waterhole]
Doc Holliday: You know, I think he's in love with you.
Rio: What are you talking about?
Doc Holliday: The crazier a man is for a woman, the crazier he thinks and the crazier he acts.
Rio: He's only crazy about one thing - himself.
Pat Garrett: Hey, that gives me a thought. Maybe we'll get Mr. Billy after all.
Rio: How?
Pat Garrett: Like you said - if he's crazy enought to do you like this, maybe he's crazy enough to come back to turn you loose.


Doc Holliday: Cattle don't graze after sheep.


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Facts about

When re-released in San Francisco on 23 April 1946, the theater owner was arrested for showing a film "offensive to decency." The MPAA maintained that Howard Hughes switched prints and did not show the version that was approved. Hughes resigned from the MPAA and filed a $1,000,000 lawsuit demanding triple damages. He lost the suit and all the appeals. Despite the legal battles and many bans, United Artists continued to roadshow the film in 1946 and 1947 and it set records almost everywhere it was shown. Originally banned in New York, it was finally shown on 11 September 1947 when the ban was lifted.
Debut of Jane Russell.
Howard Hawks started as director but quit after 2 weeks, ostensibly to direct Sergeant York. But Howard Hughes, who had the dailies flown to Los Angeles daily, had complained that Hawks was not spending enough time filming, which probably precipitated his leaving. Hughes took over as director in December 1940 and announced all scenes would be re-shot by Gregg Toland, who replaced the original cinematographer, Lucien Ballard. However, screenwriter Jules Furthman filled in for Hughes as director on 31 December 1940 and often thereafter.
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