The Dirty Dozen Overview:

The Dirty Dozen (1967) was a Action - Drama Film directed by Robert Aldrich and produced by Kenneth Hyman and Raymond Anzarut.

Academy Awards 1967 --- Ceremony Number 40 (source: AMPAS)

AwardRecipientResult
Best Supporting ActorJohn CassavetesNominated
Best Film EditingMichael LucianoNominated
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The Dirty Dozen BlogHub Articles:

The Dirty Dozen (1967)

By Beatrice on Jul 15, 2019 From Flickers in Time

The Dirty Dozen Directed by Robert Aldrich Written by Nunnally Johnson and Lukas Heller from a novel by E.M. Nathanson 1967/USA Metro-Goldwyn-Mayer/MKH/Seven Arts Productions Repeat viewing/Netflix rental Remains a fun action adventure after all these years, largely due to a collection of the best... Read full article


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Quotes from The Dirty Dozen

Major John Reisman: I never went in for embroidery, just results.


Victor R. Franko: Hey! What's the matter with you? You think I'm going to die? Ha! If you think that then you don't know Victor Franko.


Major John Reisman: You know what to do, feed the French and shoot the Germans!


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Facts about The Dirty Dozen

As film production ran over-schedule, Frank Sinatra advised 'Trini López' to quit so that his recording career wouldn't lose it's momentum or popularity. So Lopez took Sinatra's advice and quit. (Or, according to another account, his agent unwisely demanded more money, which Robert Aldrich refused to grant. Originally, Lopez's character, Jimminez, was supposed to be one of the heroes. He was to be the one to ignite all of the dynamite that would destroy the entire chateau. But with Lopez's abrupt departure, his character was written off as being killed during the parachute jump.
During the "Last Supper" scene, Maggot (Telly Savalas) is in the Judas position of the Leonardo Da Vinci painting, before betraying the team during its mission.
The scene where one of the dozen pretends to be a general inspecting Robert Ryan's troops was initially written for Clint Walker's character. However, Walker was uncomfortable with this scene, so Robert Aldrich decided to use Donald Sutherland instead. The scene was directly responsible for Sutherland being cast in MASH, which made him an international star.
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Best Supporting Actor Oscar 1967






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Also directed by Robert Aldrich




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Also produced by Raymond Anzarut


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Also released in 1967




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