The Big Sleep (1946) | |
| Director(s) | Howard Hawks |
| Producer(s) | Jack L. Warner (executive), Howard Hawks (uncredited) |
| Top Genres | Crime, Film Adaptation, Film Noir, Mystery, Thriller/Suspense |
| Top Topics | Book-Based |
Featured Cast:
The Big Sleep Overview:
The Big Sleep (1946) was a Crime - Film Noir Film directed by Howard Hawks and produced by Howard Hawks and Jack L. Warner.
The film was based on the novel of the same name written by Raymond Chandler published in 1939.
SYNOPSIS
Chandler's first novel introduced private detective Philip Marlowe, and The Big Sleep set the standard for private detective movies. Down-at-the-heels private eye Marlowe gets the assignment to clean up after the daughters of a dying millionaire, but dead people have a nasty habit of trailing in their wake. The famously tortuous storyline (Hawks supposedly asked Chandler to clarify a plot point about the murder of the family chauffeur; the novelist hadn't a clue as to who did the deed) seems beside the point when Bogart and Bacall are on-screen. The final release was recut to include more of their scenes together. A must! Remade in 1978.
(Source: available at Amazon AMC Classic Movie Companion).
.The Big Sleep was inducted into the National Film Registry in 1997.
BlogHub Articles:
Robert Mitchum as a Contemporary Marlowe in The Big Sleep
By Rick29 on Nov 4, 2019 From Classic Film & TV CafeRobert Mitchum as Marlowe. The biggest knock against Michael Winner's 1978 adaptation of The Big Sleep was his decision to transplant the story to contemporary England. It was surely an odd choice, especially since Raymond Chandler's novels paint a rich, vibrant portrait of urban California life in... Read full article
The Big Sleep (1946, Howard Hawks)
By Andrew Wickliffe on Sep 14, 2018 From The Stop ButtonA lot goes unspoken in The Big Sleep. It?s very much set in a wartime Los Angeles, but there?s never much said about wartime conditions or Los Angeles. When private detective Humphrey Bogart goes around the city, investigating, he?s only ever encountering women (beautiful women at that, because dire... Read full article
Thoughts on The Big Sleep (1946)
By Carol Martinheira on Apr 29, 2018 From The Old Hollywood GardenThoughts on The Big Sleep (1946) On April 29, 2018 By CarolIn Uncategorized I like to say I have a love-hate relationship with The Big Sleep. I don?t. I love The Big Sleep. And it grows on me every time I watch it. Maybe because I understand it a little bit better each... Read full article
The Big Sleep (1946)
on Sep 6, 2017 From Journeys in Classic FilmBy 1946 actor Humphrey Bogart fit into the role of detective Philip Marlowe so perfectly it might as well have been his favorite pair of shoes. Though this was Bogie’s own time playing the detective, The Big Sleep was simply a culmination of his past films coming together in perfect unison. He... Read full article
Day 26 of Noirvember: Don’t Snooze on The Big Sleep (1946)
By shadowsandsatin on Nov 27, 2016 From Shadows and SatinTune in to TCM on November 27th for The Big Sleep (1946), starring Humphrey Bogart and Lauren Bacall, directed by Howard Hawks, and containing what wins the prize for one of noirs most convoluted plots. Click below for one of my many favorite scenes from the film, featuring Bogart and Sonia Darrin. ... Read full article
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Quotes from
Philip Marlowe: Not particularly.
General Sternwood: Ugh. Nasty things. Their flesh is too much like the flesh of men, and their perfume has the rotten sweetness of corruption.
Philip Marlowe: Somebody's always giving me guns.
General Sternwood: If I seem a bit sinister as a parent, Mr. Marlowe, it's because my hold on life is too slight to include any Victorian hypocrisy. I need hardly add that any man who has lived as I have and indulges for the first time in parenthood at my age deserves all he gets.
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Facts about
The fussy persona that Marlowe adopts upon arriving in Geiger's bookstore has been a subject of argument for years; Lauren Bacall said that Humphrey Bogart came up with it while Howard Hawks claimed in interviews that it was his idea. What both of them failed to notice is that it was in the original book ("I had my horn-rimmed glasses on. I put my voice high and let a bird twitter in it."); all Bogart did was elaborate on it.
Howard Hawks reused the way Eddie Mars meets his demise (shot by his own men after opening a door) with that of the character Milt in Hawks' later western El Dorado.
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