Targets (1968) | |
| Director(s) | Peter Bogdanovich |
| Producer(s) | Peter Bogdanovich, Daniel Selznick (associate), Roger Corman (executive uncredited) |
| Top Genres | Thriller/Suspense |
| Top Topics | |
Featured Cast:
Targets Overview:
Targets (1968) was a Thriller/Suspense Film directed by Peter Bogdanovich and produced by Peter Bogdanovich, Roger Corman and Daniel Selznick.
BlogHub Articles:
Targets (1968): Orlok Makes You Scream
By 4 Star Film Fan on Oct 26, 2021 From 4 Star FilmsThe story goes Peter Bogdanovich met Roger Corman sitting in a screening of Bay of Angels (1963). What came out of that was an apprenticeship of sorts on Wild Angels (1966) in the Corman Film School where Bogdanovich did everything you could possibly imagine from script doctoring to location scoutin... Read full article
Targets (1968)
By Beatrice on Jan 20, 2020 From Flickers in TimeTargets Directed by Peter Bogdonovich Written by Peter Bogdonovich; story by Bogdonovich and Polly Platt 1968/USA IMDb link One of 1001 Movies You Must See Before You Die One of 1000 Best Horror Movies on They Shoot Zombies Don’t They? Repeat viewing/Amazon Instant Not too shabby for a feature... Read full article
Adventures of Captain Marvel (1941, John English and William Witney), Chapter 7: Human Targets
By Andrew Wickliffe on Nov 17, 2017 From The Stop ButtonStarting Human Targets, I couldn?t remember what cliffhanger needed to be resolved. It?s not a good one. More of the ?Tom Tyler is bad at being a superhero? same. Once it gets resolved, with William ?Billy? Benedict shooting the breeze with Tyler and asking zero questions about why Tyler?s trying to... Read full article
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Quotes from
Byron Orlok: Is *that* what I was afraid of?
Byron Orlok: You know what they call my films today? Camp! High camp!
Jenny: You really are in a foul mood.
Byron Orlok: Not at all. I'm just tired of your baleful looks.
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Facts about
Roger Corman told Peter Bogdanovich he could make any film he wanted to, with two conditions: he had to use stock footage from The Terror, and he had to hire Boris Karloff for two days (Karloff was under contract and owed Corman those two days). Karloff was so impressed with the script that he refused pay for any shooting time over his contracted two days. He worked for a total of five days on the movie.
Aside from background music played on a car radio, there is no musical soundtrack for the movie.
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