Suspicion (1941) | |
Director(s) | Alfred Hitchcock |
Producer(s) | Harry E. Edington (uncredited) |
Top Genres | Film Noir, Mystery, Romance, Thriller/Suspense |
Top Topics | Book-Based, Husband Wife, Marriage |
Featured Cast:
Suspicion Overview:
Suspicion (1941) was a Film Noir - Mystery Film directed by Alfred Hitchcock and produced by Harry E. Edington.
The film was based on the novel Before the Fact written by Francis Iles published in 1932.
SYNOPSIS
This Hitchcock thriller has winning performances from Grant and Fontaine. In order to escape the oppression of her rigid, wealthy parents, Fontaine embraces the attention of Grant though she knows his reputation as a cad. When his friend Bruce turns up dead, Fontaine begins to think she's next and frets about the nightly glass of milk Grant brings her. Her fears reach a crescendo on a careening drive on a twisting road.
(Source: available at Amazon AMC Classic Movie Companion).
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Academy Awards 1941 --- Ceremony Number 14 (source: AMPAS)
Award | Recipient | Result |
Best Actress | Joan Fontaine | Won |
Best Picture | RKO Radio | Nominated |
BlogHub Articles:
"Suspicion" comes between Cary Grant and Joan Fontaine
By Stephen Reginald on Mar 31, 2021 From Classic Movie Man"Suspicion" comes between Cary Grant and Joan Fontaine Suspicion (1941) is a psychological romance directed by Alfred Hitchcock and starring Cary Grant and Joan Fontaine. The screenplay was written by Samson Raphaelson, Joan Harrison, and Alma Reville (Mrs. Alfred Hitchcock). The movie was base... Read full article
Beyond Suspicion (1993 TVM)
By John Grant on Apr 1, 2020 From Noirishvt Appointment for a Killing US / 92 minutes / color / Frank & Bob Films, Patricia K. Meyer, von Zerneck?Sertner, NBC Dir: William A. Graham Pr: Randy Sutter Scr: Karen Clark Story: Appointment for Murder: The Story of the Killing Dentist (1988) by Susan Crain Bakos Cine: Denis Lewiston Cast: Ma... Read full article
book: Beyond Suspicion (2006; trans 2009 Linda Coverdale) by Tanguy Viel
By John Grant on Jul 20, 2019 From NoirishOne of the review quotes on the cover of this short book says it reads like a Raymond Chandler novel, a comment of maximal piffledom; I guess the unnamed reviewer has the excuse that s/he was writing for a French literary magazine, rather than an Anglophone one, but even making that allowance may be... Read full article
From the Archives: Joan Fontaine in Suspicion ( 1941 )
By The Metzinger Sisters on Apr 24, 2017 From Silver Scenes - A Blog for Classic Film LoversJoan Fontaine posing for a quick costume shot during the making of Alfred Hitchcock's Suspicion. Joan always knew how to wear high collars and top-heavy hats like a queen. From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these ... Read full article
Suspicion (1941)
on Jul 6, 2016 From Journeys in Classic FilmWe’re going back a few years to?examine a film from Hitchcock’s 1940s output. A year after winning the Academy Award for Rebecca, Hitchcock reteamed with star Joan Fontaine for another one-word titled mystery, Suspicion. This classy thriller pairs Hitchcock for the first time with the sm... Read full article
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Quotes from
Johnnie Aysgarth: Don't do that.
Lina McLaidlaw Aysgarth: Why not?
Johnnie Aysgarth: Because your ucipital mapilary is quite beautiful.
Lina McLaidlaw Aysgarth: I must go now or I'll be late to luncheon. Anyway, if my father saw me come in both late and beautiful, he might have a stroke.
Photographer: I wonder if I could have just a little bit more of your smile?
Johnnie Aysgarth: Oh, now, not at this hour of the morning.
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Facts about
In the scene where Johnnie brings a glass of milk up to Lina, Alfred Hitchcock had a light hidden in the glass to make it appear more sinister.
Alfred Hitchcock originally wanted Johnnie to be guilty, but the studio insisted that the public wouldn't accept Cary Grant as a murderer. Hitchcock's original ending had Johnny killing Lina by poisoning her milk, but then convicting himself by mailing a letter that Lina had written. Joan Fontaine said, Cary Grant "did kill me in the original cut, but at a preview, the audience simply refused to accept him as the murderer."
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