So Big! (1932) | |
| Director(s) | William A. Wellman |
| Producer(s) | Lucien Hubbard (supervising uncredited), Jack L. Warner (uncredited) |
| Top Genres | Drama, Film Adaptation |
| Top Topics | Book-Based |
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So Big! Overview:
So Big! (1932) was a Drama - Film Adaptation Film directed by William A. Wellman and produced by Lucien Hubbard and Jack L. Warner.
BlogHub Articles:
So Big (1932)
By RBuccicone on Mar 21, 2013 From MacGuffin MoviesSo Big (1932) Pulitzer Prize winning novels don’t always produce award-worthy movies. Case in point: the 1932 version of So Big. One can see why writers, directors and actors are attracted?to award-winning books, but too often something happens between the first reading of the source material ... Read full article
So Big! (1932) (1)
By Angela on Nov 24, 2011 From Hollywood RevueAs a young girl, it looks like Selina Peake (Barbara Stawnyck) has got the life.? Her father is well off and he sends her to one of the best finishing schools in Chicago.? That all changes when her father suddenly dies and leaves her with no money to support herself.? With some help from her friends... Read full article
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Quotes from
Miss Dallas O'Mara: Very good. Kinda sterotyped, but still effective. Time out while I work up a maidenly blush.
Dirk De Jong: Now this is your last chance. I'm not going to ask you this question any more. How about having dinner with me some night?
Miss Dallas O'Mara: Love to.
Dirk De Jong: When?
Miss Dallas O'Mara: Oh, sometime in the distant future... say, um, tonight.
Dirk De Jong: Perfect. Where would you like to go, the Casino?
Miss Dallas O'Mara: Oh, let's not and say we did. Those upper-crust places make me jitter.
Dirk De Jong: Well, how about Thompson's Lunch?
Miss Dallas O'Mara: Oh, I'm still hunchbacked from sitting in those one-armed chairs. Let's go to a hotel--full of all sorts of people: actors, gamblers, thieves, bootleggers, ladies and...and women. That's my dish.
Dirk De Jong: Must a man be an artist to interst you?
Miss Dallas O'Mara: Good Lord, no! I'll probably marry some horny-handed son of toil, and if I do, the horny hands'll win me. I like them with their scars on them. There's something about a man who has fought for it: the look in his eye, the feel of his hands. You haven't a mark on you, Dirk, not a mark. You gave up being an architect because it was an uphill, disheartening job at the time. I don't say you should have kept on. For all I know, you were a terrible architect. But if you had kept on, if you'd loved it enough to keep on fighting and struggling, why that fight would show in your face today--in your eyes, in your whole being.
Dirk De Jong: In the name of Heaven, Dallas, I have...
Miss Dallas O'Mara: I'm not criticizing you, but...but you're all smooth. And I like 'em bumpy.
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