Shanghai (1935) | |
Director(s) | James Flood |
Producer(s) | Walter Wanger |
Top Genres | Drama, Romance |
Top Topics |
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Shanghai Overview:
Shanghai (1935) was a Drama - Romance Film directed by James Flood and produced by Walter Wanger.
BlogHub Articles:
Silver Screen Standards: The Lady from Shanghai (1947)
By Jennifer Garlen on Jun 14, 2022 From Classic Movie Hub BlogSilver Screen Standards: The Lady from Shanghai (1947) Despite the icy cold shade of Rita Hayworth?s hair, The Lady from Shanghai (1947) plays like a fever dream, confusing and sweat-soaked, long before it reaches its famous funhouse climax. It?s a favorite among classic noir fans even though it ... Read full article
Daughter of Shanghai (1937) Starring Anna May Wong and Philip Ahn
By 4 Star Film Fan on Oct 14, 2019 From 4 Star FilmsNo, this isn’t an alternate universe. There really was a film from the 1930s starring both Anna May Wong and Phillip Ahn. They’re?not just supporting players or bit parts to fill in a few stereotypical roles, either, but actual leads. More amazing still, they both speak English without a... Read full article
The Lady from Shanghai (1947, Orson Welles)
By Andrew Wickliffe on Sep 2, 2019 From The Stop ButtonIt?s immaterial to the film overall but I want to talk about how Welles compensates for projection composites looking like projection composites. He changes up his focus, sometimes focusing on the person in the foreground, sometimes not. Is it intentional? Is he really trying to compensate? Well, th... Read full article
The Lady from Shanghai (1947, Orson Welles)
By Andrew Wickliffe on Sep 2, 2019 From The Stop ButtonIt?s immaterial to the film overall but I want to talk about how Welles compensates for projection composites looking like projection composites. He changes up his focus, sometimes focusing on the person in the foreground, sometimes not. Is it intentional? Is he really trying to compensate? Well, th... Read full article
The Lady from Shanghai (1947, Orson Welles)
on Sep 2, 2019 From The Stop ButtonIt?s immaterial to the film overall but I want to talk about how Welles compensates for projection composites looking like projection composites. He changes up his focus, sometimes focusing on the person in the foreground, sometimes not. Is it intentional? Is he really trying to compensate? Well, th... Read full article
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