Raintree County (1957) | |
Director(s) | Edward Dmytryk |
Producer(s) | Millard Kaufman (associate), David Lewis, Thomas D. Tannenbaum (associate uncredited) |
Top Genres | Drama, Film Adaptation, Romance |
Top Topics | Book-Based, Civil War, Old South |
Featured Cast:
Raintree County Overview:
Raintree County (1957) was a Drama - Romance Film directed by Edward Dmytryk and produced by Millard Kaufman, Thomas D. Tannenbaum and David Lewis.
Academy Awards 1957 --- Ceremony Number 30 (source: AMPAS)
Award | Recipient | Result |
Best Actress | Elizabeth Taylor | Nominated |
Best Art Direction | Art Direction: William A. Horning, Urie McCleary; Set Decoration: Edwin B. Willis, Hugh Hunt | Nominated |
Best Costume Design | Walter Plunkett | Nominated |
Best Music - Scoring | Johnny Green | Nominated |
BlogHub Articles:
Raintree County (1957)
By Beatrice on Jul 23, 2016 From Flickers in TimeRaintree County Directed by Edward Dmytryck Written by Millard Kaufman from a novel by Ross Lockridge Jr. 1957/USA Metro-Goldwyn-Mayer First viewing/Netflix rental Epic-length melodramas aren’t my thing. This one is just tedious despite Liz Taylor’s?Oscar-nominated performance as a ... Read full article
Raintree County
By RBuccicone on May 13, 2011 From MacGuffin MoviesRaintree County (1957) ???? Raintree County marked a significant point in the career of Montgomery Clift, although not a positive one. It was a box office hit because people flocked to the theater to compare the before and after images of the face of a man who had been disfigured?in a car accident d... Read full article
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Quotes from
Ellen Shawnessy: You haven't heard? They've attacked Fort Sumter. It means war sure as anything.
T.D. Shawnessy: I'm not so sure. Now, say what you will, Americans will never fight each other. We'll settle our difficulties peacefully.
John Wickliff Shawnessy: [On the riverboat with Susanna, visiting the South for the first time] You were right, Mrs. Shawnessy, I like your river. I really do. It even smells good.
Susanna Drake: I knew that you'd understand it. Which is more than most Yankees do. Now, that's something I don't understand. 'Cause all you have to do is go South once and you LOVE it!
John Wickliff Shawnessy: Well, to us Yankees, the South is not too easy to understand... You ever read "Uncle Tom's Cabin"?
Susanna Drake: [Shocked] "Uncle Tom's Cabin"? Phoo... I haven't married an abolitionist, have I?
John Wickliff Shawnessy: That is the skeleton in my closet.
Susanna Drake: Now, you mustn't joke about it.
Susanna Drake: [Arranging a vast collection of dolls on her bed] Anyway, there's worse things than being an abolitionist.
John Wickliff Shawnessy: Like what?
Susanna Drake: Like having Negro blood in you. Isn't it funny? Just one little teeny drop and a person's all Negro. A person can't always tell, either.
T.D. Shawnessy: War is the most monstrous of man's illusions. Any idea worth anything is worth not fighting for.
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Facts about
The town of Freehaven of the mythical Raintree County was created in 1956 on MGM's vast Backlot #3 at Jefferson and Overland Boulevards in Culver City, California, by re-designing a portion of an old western set and adding some new buildings such as the Freehaven Town Hall and its clock tower. In 1971, MGM's Lot #3 was demolished to make way for a new apartment and condominium complex which became known as "Raintree Estates," named for this motion picture. Several Chinese Golden Raintrees were planted around the new residential property and many of the complex's streets and buildings were named for various MGM productions.
This film was the first to be photographed in the MGM Camera 65 process; the second was Ben-Hur. Later, the process was renamed Ultra Panavision 70. It involved using a 65mm negative with the addition of lenses that applied a 1.25 X anamorphic squeeze. When projected, the aspect ratio would be 2.21:1 X 1.25 = 2.76:1. However, around 1957 theaters were still showing Around the World in Eighty Days, which forced MGM to release this film only on 35mm anamorphic prints, with an aspect ratio of 2.55:1. MGM used the older CinemaScope format because it allowed for the inclusion of four-track magnetic audio, in contrast to the mono-only audio offered by 2.35:1 optical soundtrack prints.
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