Posse from Hell (1961) | |
| Director(s) | Herbert Coleman |
| Producer(s) | Willard W. Willingham (associate) |
| Top Genres | Western |
| Top Topics | |
Featured Cast:
Posse from Hell Overview:
Posse from Hell (1961) was a Western Film directed by Herbert Coleman and produced by Willard W. Willingham.
BlogHub Articles:
HMWYBS: “Butch Cassidy & The Sundance Kid” & the Posse from Hell
By Anne Marie on Aug 28, 2013 From We Recycle MoviesAs played by Paul Newman and Robert Redford, Butch Cassidy and the Sundance Kid have to be the most charismatic killers Hollywood “counter culture” cinema produced. Bonnie & Clyde were still rough and bloody, and Peter Fonda in Easy Rider rubbed up against American authority like san... Read full article
See all Posse from Hell articles
Quotes from
No Quote for this film.
Facts about
Last film for Allan Lane
Universal's music director, Joseph Gershenson, reused the music scores from This Island Earth and It Came from Outer Space in this picture's music score, much to the chagrin of the original uncredited composers Hans J. Salter, Herman Stein, Henry Mancini, and Irving Gertz.By 1961, they were all out of their old 1950s Universal Studios contract, and only heard about this when they got notices in the mail from the Musicians' Union. They would have appreciated checks in the mail even more, but there were none, since their old contracts considered all their studio work as 'works for hire' and this precluded them getting any further royalties from their work. Universal continued this practice until a lawsuit from the Musicians' Union stopped it in 1966.
read more facts about Posse from Hell...
Universal's music director, Joseph Gershenson, reused the music scores from This Island Earth and It Came from Outer Space in this picture's music score, much to the chagrin of the original uncredited composers Hans J. Salter, Herman Stein, Henry Mancini, and Irving Gertz.By 1961, they were all out of their old 1950s Universal Studios contract, and only heard about this when they got notices in the mail from the Musicians' Union. They would have appreciated checks in the mail even more, but there were none, since their old contracts considered all their studio work as 'works for hire' and this precluded them getting any further royalties from their work. Universal continued this practice until a lawsuit from the Musicians' Union stopped it in 1966.
read more facts about Posse from Hell...
