It's a Mad, Mad, Mad, Mad World Overview:

It's a Mad, Mad, Mad, Mad World (1963) was a Action - Adventure Film directed by Stanley Kramer and produced by Stanley Kramer.

SYNOPSIS

They emptied the comedy hall of fame to make this frantic epic. It's like a wide-screen, big-budget disaster movie - only played for laughs - in which half the fun is pointing to famous faces. Tracy is the relatively calm center of a whirlwind as a detective keeping an eye on a herd of citizens out to uncover a stash of stolen bank loot. He has his hands full following Berle, Caesar, Rooney, Winters, Durante, Adams, et al. and on and on. After a long prison sentence Smiler Grogan is heading at high speed to a California park where he hid $350,000 from a job 15 years previously. He accidentally careens over a cliff in view of four cars whose occupants go down to help. The dying Grogan gives details of where the money is buried and when the witnesses fail to agree on sharing the cash, a crazy chase develops across the state. (imdb)

(Source: available at Amazon AMC Classic Movie Companion).

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Academy Awards 1963 --- Ceremony Number 36 (source: AMPAS)

AwardRecipientResult
Best CinematographyErnest LaszloNominated
Best Film EditingFrederic Knudtson, Robert C. Jones, Gene Fowler, Jr.Nominated
Best Music - ScoringErnest GoldNominated
Best Music - SongMusic by Ernest Gold; Lyrics by Mack DavidNominated
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It's a Mad, Mad, Mad, Mad World BlogHub Articles:

IT'S A MAD, MAD, MAD, MAD WORLD From Criterion

By Dan Day Jr. on Feb 11, 2014 From The Hitless Wonder Movie Blog

Criterion has just come out with one of their most impressive home video releases ever. Stanley Kramer's IT'S A MAD, MAD, MAD, MAD WORLD gets a 3-DVD, 2-Blu-ray set featuring two different versions of the movie and tons and tons of extras. The 1963 super-epic all-star comedy was the brainchild of s... Read full article


CMBA Film Passion Blogathon: IT'S A MAD, MAD, MAD, MAD WORLD

By Irish Jayhawk on Dec 4, 2013 From Outspoken and Freckled

Growing up as a kid, classic comedies were a shaping influence in my life. My earliest memories of classic film derives from the comedies I watched with my family. I recall my grandmother and my uncle Patrick introducing me to comedy classics like Marx Brothers films, the Pink Panther films, Blake E... Read full article


TCM Classic Film Festival - It's a Mad, Mad, Mad, Mad World (1963)

By Raquel Stecher on May 19, 2013 From Out of the Past - A Classic Film Blog

Cinerama Dome's Honeycomb Ceiling On Sunday April 28th, 2013, I attended a special screening of It's a Mad, Mad, Mad, Mad World (1963) at the Cinerama Dome in Los Angeles. Even though this film is played regularly on TCM and I have had many chances to see it, this was my first time I had watched t... Read full article


How I Learned to Stop Worrying and Love "It's a Mad, Mad, Mad, Mad World"

By David on May 30, 2012 From The Man on the Flying Trapeze

My name is David, and I am a recovering baby boomer. I mention this to help explain the affection I have for movies made when I was a kid, especially from about 1957-65. You can tell me they're cheesy and cliched, and tell me that they reinforce negative stereotypes. I know, and the "intellectual" w... Read full article


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Quotes from It's a Mad, Mad, Mad, Mad World

Lennie Pike: *Everybody* pays taxes!- Even businessmen, who rob and cheat and steal from people everyday, even *they* have to pay *taxes*!


Otto Meyer: [turns around to see a helicopter]
[shouts]
Otto Meyer: Look out!
Nervous Motorist: What? Wh-Who...?
Otto Meyer: Don't stop driving man. Keep going!
Nervous Motorist: What? What is it?
[turns around, sees the helicopter and spins back around]
Nervous Motorist: That's a police helicopter!
Otto Meyer: Yeah, that's what it looks like. They always use them.
Nervous Motorist: Who always uses them?
Otto Meyer: Who do you think?


Melville Crump: Why can't you have a little confidence in me?


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Facts about It's a Mad, Mad, Mad, Mad World

Don Rickles reportedly wanted to be in the movie but was never asked. He never let Stanley Kramer live it down, either, even heckling him about it from the stage whenever Kramer came to see Rickles' show.
The first Cinerama film using anamorphic lenses. The labeling was misleading; the film was not really made in Cinerama, but in Ultra Panavision 70, then blown up to the size of Cinerama.
Peter Falk improvised much of his dialog in the cab scene.
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