Gaslight (1944) | |
| Director(s) | George Cukor |
| Producer(s) | Arthur Hornblow Jr. |
| Top Genres | Drama, Mystery, Thriller/Suspense |
| Top Topics | Based on Play, England, Husband Wife, Psychological Thrillers, Turn of the Century |
Featured Cast:
Gaslight Overview:
Gaslight (1944) was a Drama - Mystery Film directed by George Cukor and produced by Arthur Hornblow Jr..
The film was based on the play Angel Street (aka Gas Light) written by Patrick Hamilton performed at the John Golden Theatre, NY, & Bijou Theatre, NY from 1938 (performed in NY Dec 5, 1941 - Dec 30, 1944).
SYNOPSIS
Cukor captures the smoky, smoggy feel of Victorian London for this atmospheric mystery. The husband of innocent new bride Bergman may have a dark past, and he may be trying to drive her insane to get his hands on her family's jewels. Lansbury's film debut.
(Source: available at Amazon AMC Classic Movie Companion).
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Academy Awards 1944 --- Ceremony Number 17 (source: AMPAS)
| Award | Recipient | Result |
| Best Actor | Charles Boyer | Nominated |
| Best Actress | Ingrid Bergman | Won |
| Best Supporting Actress | Angela Lansbury | Nominated |
| Best Art Direction | Art Direction: Cedric Gibbons, William Ferrari; Interior Decoration: Edwin B. Willis, Paul Huldsc | Won |
| Best Cinematography | Joseph Ruttenberg | Nominated |
| Best Picture | Metro-Goldwyn-Mayer | Nominated |
| Best Writing | John Van Druten, Walter Reisch, John L. Balderston | Nominated |
BlogHub Articles:
Gaslight Noir on the Criterion Channel
By Jennifer Garlen on Sep 1, 2023 From Virtual ViragoWhile many of the Criterion Channel's featured categories highlight newer or international films, the lineup for September 2023 also includes one of my favorite classic sub-genres, "Gaslight Noir." If you love films like Gaslight (whether the 1940 or 1944 version), this is a collection sure to send ... Read full article
On Blu-ray: Ingrid Bergman and Charles Boyer in Gaslight (1944) and the 1940 Original That Preceded It
By KC on Sep 19, 2019 From Classic MoviesThe 1944 version of Gaslight is one of the first classic films I saw and I return to it frequently. It is Hollywood filmmaking at its best, where talent, story, and production value are so good that a simple entertainment becomes an artistic triumph. I recently revisited the George Cukor-directed fi... Read full article
Offbeat Blu-ray Review: Gaslight
By Devon Powell on Jul 10, 2019 From Hitchcock MasterDistributor: Warner Archives Release Date: June 25, 2019 Region: Region Free Length: 01:53:46 Video: 1080P (MPEG-4, AVC) Main Audio: 2.0 English Mono DTS-HD Master Audio (48kHz, 24-bit) Subtitles: English SDH Ratio: 1.37:1 Bitrate: 34.99 Mbps George Cukor?s Gaslight has long drawn comparisons to ce... Read full article
? Meia Luz (1944) / Gaslight (1944)
By L? on Feb 16, 2019 From Critica Retro? Meia Luz (1944) / Gaslight (1944) Este ? o filme que deu a Ingrid Bergman seu primeiro Oscar de Melhor Atriz. Este ? o primeiro filme feito pela atriz Angela Lansbury. Este ? mais um filme com uma protagonista forte dirigido por George Cukor. E este ? o filme que originou o termo “ga... Read full article
Gaslight (1944, George Cukor)
By Andrew Wickliffe on Sep 5, 2018 From The Stop ButtonAt the end of Gaslight, when all has seemingly been revealed, there?s only one question left. If Scotland Yard inspector Joseph Cotten isn?t an American in London, why doesn?t anyone notice his lack of accent. It?s a wise choice not to give Cotten an accent?presumably he couldn?t do one?but it also ... Read full article
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Quotes from
Gregory Anton: Yes. What are you doing with your evening out?
Nancy Oliver: Oh, I'm going to a music hall...
[starts to sing 'Up in a balloon']
Gregory Anton: I've never been to an English music hall.
Nancy Oliver: Oh, you don't know what you've missed, sir...
Gregory Anton: And whom are you going to the music hall with?
Nancy Oliver: A gentleman friend, sir.
Gregory Anton: Oh, now you know, Nancy, don't you, that gentlemen friends are sometimes inclined to take liberties with young ladies.
Nancy Oliver: Oh no, sir, not with me. I can take care of myself - when I want to.
Gregory Anton: You know, Nancy, it strikes me that you're not at all the kind of girl that your mistress should have for a housemaid.
Nancy Oliver: [flirtatiously] No, sir? She's not the only one in the house - is she?
Paula Alquist Anton: Yes, that's it.
[throws the knife away]
Paula Alquist Anton: I am mad. I'm always losing things and hiding things and I can never find them, I don't know where I've put them.
Gregory Anton: I don't ask you to understand me. Between us all the time were those jewels, like a fire - a fire in my brain that separated us - those jewels which I wanted all my life. I don't know why... Goodbye, Paula.
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Facts about
The aria that Ingrid Bergman is singing when we see her in the first scene of her in the present day is from the Gaetano Donizetti opera "Lucia Di Lammermoor". The opera is famous for its so-called "mad scene", in which the eponymous Lucia goes insane.
When this film was produced, the studio attempted to have all prints of the previous version, Gaslight destroyed. These efforts were ultimately unsuccessful, though the film was rarely seen for the next few decades.
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