Freud: The Secret Passion (1962) | |
| Director(s) | John Huston |
| Producer(s) | Wolfgang Reinhardt |
| Top Genres | Drama |
| Top Topics | |
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Freud: The Secret Passion Overview:
Freud: The Secret Passion (1962) was a Drama - Drama Film directed by John Huston and produced by Wolfgang Reinhardt.
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John Dearth and Lawrence Davidson were both favored for the role of Brouhordier.
The following performers were considered for roles: Harry Lockart, John Breslin, Suzanne Neve, Catherine Finn, Annette Kerr, Ernst Ulman, Mercy Haystead and Delena Kidd.
Robert LaGuardia, in his 1988 biography of Montgomery Clift "Monty," claimed that director John Huston, who had paternalistic feelings towards Clift after directing the alcoholic and emotionally troubled actor in The Misfits, became sadistic towards him during the troubled "Freud" shoot. Basing his charges on interviews with co-star Susannah York, LaGuardia claimed that Huston kept asking Clift about the Freudian concept of "represssion," obviously alluding to Clift's repressed homosexuality. Apparently, Huston himself could not broach the idea that Monty was gay in his own mind, but subconsciously, he reacted to Monty's homosexuality quite negatively. (Marilyn Monroe had admonished Monty not to work with Huston again, finding him a sadist on the "Misfits" set. Her ex-husband Arthur Miller, on the other hand, did not fault Huston in his autobiography "Timebends," but instead, marveled about how he kept his cool during the "Misfits" shoot, which was also troubled due to Marilyn Monroe's mental illness and frequent absences from the set.) Monty's biographer thought that Huston still had paternalistic feelings towards the actor, but was subcoread more facts about Freud: The Secret Passion...
The following performers were considered for roles: Harry Lockart, John Breslin, Suzanne Neve, Catherine Finn, Annette Kerr, Ernst Ulman, Mercy Haystead and Delena Kidd.
Robert LaGuardia, in his 1988 biography of Montgomery Clift "Monty," claimed that director John Huston, who had paternalistic feelings towards Clift after directing the alcoholic and emotionally troubled actor in The Misfits, became sadistic towards him during the troubled "Freud" shoot. Basing his charges on interviews with co-star Susannah York, LaGuardia claimed that Huston kept asking Clift about the Freudian concept of "represssion," obviously alluding to Clift's repressed homosexuality. Apparently, Huston himself could not broach the idea that Monty was gay in his own mind, but subconsciously, he reacted to Monty's homosexuality quite negatively. (Marilyn Monroe had admonished Monty not to work with Huston again, finding him a sadist on the "Misfits" set. Her ex-husband Arthur Miller, on the other hand, did not fault Huston in his autobiography "Timebends," but instead, marveled about how he kept his cool during the "Misfits" shoot, which was also troubled due to Marilyn Monroe's mental illness and frequent absences from the set.) Monty's biographer thought that Huston still had paternalistic feelings towards the actor, but was subcoread more facts about Freud: The Secret Passion...
