Fourteen Hours (1951) | |
| Director(s) | Henry Hathaway |
| Producer(s) | Sol C. Siegel |
| Top Genres | Drama, Film Noir |
| Top Topics | |
Featured Cast:
Fourteen Hours Overview:
Fourteen Hours (1951) was a Drama - Film Noir Film directed by Henry Hathaway and produced by Sol C. Siegel.
Academy Awards 1951 --- Ceremony Number 24 (source: AMPAS)
| Award | Recipient | Result |
| Best Art Direction | Art Direction: Lyle Wheeler, Leland Fuller; Set Decoration: Thomas Little, Fred J. Rode | Nominated |
BlogHub Articles:
YouTube Noir — Noirvember Day 20: Fourteen Hours (1951)
By shadowsandsatin on Nov 20, 2020 From Shadows and SatinFinding Fourteen Hours (1951) was a happy accident. Before a couple of years ago, I?d never even heard of it before ? despite the fact that the cast includes noir vets Richard Basehart, Paul Douglas, Agnes Moorehead, Jeff Corey, and Howard da Silva. I don?t even remember how I happened to stumble ac... Read full article
Fourteen Hours (1951)
By 4 Star Film Fan on Nov 11, 2015 From 4 Star FilmsFourteen Hours is a taut little thriller, based off real circumstances that occurred in New York in 1938. The film opens with a young man standing on the ledge of a tall hotel in New York city. An unsuspecting waiter happens upon him and a traffic cop (Paul Douglas) spies him from the street below. ... Read full article
Fourteen Hours (1951)
By 4 Star Film Fan on Nov 11, 2015 From 4 Star FilmsFourteen Hours is a taut little thriller, based on real circumstances that occurred in New York in 1938. The film opens with a young man standing on the ledge of a tall hotel in New York City. An unsuspecting waiter happens upon him and a traffic cop (Paul Douglas) spies him from the street below. A... Read full article
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Quotes from
Dr. Strauss: [Disgusted] She's a case, just like the boy!
Cab driver: [about the jumper] Yeah, if I had my M-2, I could knock him off from here - clean!
Robert Cosick: You should have ten good reasons for anything. That's a rule!
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Facts about
A number of character actors in this film who had been associated with communist associations and left-wing theater groups -Howard Da Silva,Martin Gabel,Jeff Corey,Leif Erickson andJohn Randolph - were soon to be called before the House Un-American Activities committee or listed in the anti-communist publication Red Channels. Most were blacklisted and did not appear again in films for many years; one (Erickson, who had been married to Frances Farmer) named names and was cleared.
As was typical of other big studio films of the time, the exterior action photographed on location on the streets of New York City, but the dialogue scenes were shot on a copy of the building and on studio sets at the Fox Studios in Hollywood. The film is notable in that a number of actors just beginning their careers who were soon to go on to major roles in theater and film were cast in bit parts or as extras, among them:Joyce Van Patten,Janice Rule,John Randolph,Harvey Lembeck,Brian Keith,Richard Beymer,David Burns,Ossie Davis,John Cassavetes andGrace Kelly, in her first screen appearance.
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