Footlight Serenade (1942) | |
Director(s) | Gregory Ratoff |
Producer(s) | William LeBaron |
Top Genres | Comedy, Musical, Romance |
Top Topics |
Featured Cast:
Footlight Serenade Overview:
Footlight Serenade (1942) was a Comedy - Musical Film directed by Gregory Ratoff and produced by William LeBaron.
BlogHub Articles:
Musical Monday: Footlight Serenade (1942)
on May 13, 2024 From Comet Over HollywoodIt?s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals. This week?s musical: Footlight Serenade (1942) ? ... Read full article
The Romantic Comedy Blogathon: Footlight Serenade (1942)
By Caftan Woman on May 2, 2014 From Caftan WomanA BOY. A GIRL. A BOXER. ON BROADWAY! THE BOY Bill Smith came to the big town to make his mark, but the only success he's met with has been the romantic time. However, he is willing to temporarily leave his girl behind looking for a new start. She convinces him to stop by a theatr... Read full article
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Quotes from
Pat Lambert: Oh, thank you, Mr. Spider, but I'm very, very shy.
Bruce McKay: She's closed up more nightclubs than the chief of police!
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Facts about
After this black-and-white production finished, Twentieth Century-Fox would implement the policy of utilizing Technicolor for all future Betty Grable features. The only monochromatic exception would be her guest spot in Four Jills in a Jeep, crooning the standard from 1908, "Cuddle Up a Little Closer" (music by Karl Hoschna, lyrics by Otto A. Harbach -- which she already had performed the year before in the Technicolored Coney Island. Miss Grable would not exempt from the Technicolor clause two black-and-white dramas offered her: The Razor's Edge (Anne Baxter's Oscar-winning part) and Pickup on South Street (the Jean Peters role). For Betty's final picture, How to Be Very, Very Popular, Color by DeLuxe was employed.
Twentieth Century-Fox had wanted to borrow Lucille Ball from RKO, but Miss Ball had no interest in playing the secondary part of Flo La Verne.
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