Dead End Overview:

Dead End (1937) was a Crime - Drama Film directed by William Wyler and produced by Samuel Goldwyn and Merritt Hulburd.

SYNOPSIS

Prototypical social-problem drama about a Manhattan slum in the 1930s. Hellman's engaging script, based on Sidney Kingsley's hit play, finds the neighborhood's residents struggling to get by, some choosing hard work, some taking the easier route of crime. When gangster Bogart starts to hang around his old haunts, he comes an unwelcome influence on the street kids. Those kids became known as the Dead End Kids and, later, the Bowery Boys.

(Source: available at Amazon AMC Classic Movie Companion).

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Academy Awards 1937 --- Ceremony Number 10 (source: AMPAS)

AwardRecipientResult
Best Supporting ActressClaire TrevorNominated
Best Art DirectionRichard DayNominated
Best CinematographyGregg TolandNominated
Best PictureSamuel Goldwyn ProductionsNominated
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BlogHub Articles:

Sylvia Sidney and Joel McCrea star in “Dead End”

By Stephen Reginald on Aug 8, 2022 From Classic Movie Man

Sylvia Sidney and Joel McCrea star in “Dead End” Dead End (1937) is a crime melodrama directed by William Wyler and starring Sylvia Sidney and Joel McCrea. The supporting cast includes Humphrey Bogart, Wendy Barie, Claire Trevor, and Allen Jenkins. The screenplay was written by Lill... Read full article


Batman: Dead End (2003, Sandy Collora)

on Mar 7, 2020 From The Stop Button

Batman: Dead End goes far in validating the idea of cosplay as successful costuming for film?well, not Andrew Koenig?s Joker?but definitely the Batman outfit. Costume designer Michael MacFarlane, cinematographer Vincent E. Toto, and director Collora do figure out a way to do a ?comics accurate? (if ... Read full article


Dead End Drive-In

By Barry P. on Dec 30, 2018 From Cinematic Catharsis

(1986) Written by Brian Trenchard-Smith; Written by Peter Smalley; Based on the story “Crabs,” by Peter Carey; Starring: Ned Manning, Natalie McCurry, Peter Whitford and Wilbur Wilde; Available on Blu-ray and DVD Rating: ***½ “I have a motto: If in doubt, blow it up, o... Read full article


Dead End Drive-in: "It's not so bad in here"

By Rick29 on Feb 13, 2017 From Classic Film & TV Cafe

The Star Drive-in is a dead end! Prior to today, it had been almost 30 years since I last saw Dead End Drive-in, an Australian exploitation film made in the wake of the original Max Max trilogy. To my delight, my wife gave me a DVD of the film as a present (one more reason why she's awesome). Still... Read full article


Dead End Drive-in: "It's not so bad in here"

By Rick29 on Feb 13, 2017 From Classic Film & TV Cafe

The Star Drive-in is a dead end! Prior to today, it had been almost 30 years since I last saw Dead End Drive-in, an Australian exploitation film made in the wake of the original Max Max trilogy. To my delight, my wife gave me a DVD of the film as a present (one more reason why she's awesome). Still... Read full article


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Quotes from

Hunk: Maybe I'm wrong. We all make mistakes, boss. That's why they put the rubber on the ends of pencils.


[the police are looking for Tommy after he has a fight with Philip Griswald and then injures Philip's father]
Dave Connell: Don't worry, Drina. He knows his way around - he can take care of himself.
Drina Gordon: He can take care of himself too well. How can he have done such a thing? Where does he learn about knives and...
Dave Connell: He had an expert teacher.
[refers to Martin]
Dave Connell: Anyway it's not hard to learn in a place like this.
Drina Gordon: But he's not a bad kid - not really bad. He never has been.
Dave Connell: The famous 'Baby Face' Martin used to live on this block. He wasn't such a bad kid either at first. He was smart and brave and decent... at first.
Drina Gordon: Like Tommy, you mean. Ever since he was a little kid I've tried to teach him what's right. I don't know what else to do - I've tried to bring him up decent.
Dave Connell: Aw, what chance have they got against all this? They gotta fight for a place to play, fight for a little extra somethin' to eat, fight for everything. They get used to fightin'. "Enemies of society" it says in the papers... why not? What've they got to be so friendly about?


Dippy 'Dip': Well I dink an' I dink' an' I dink an' I can't rememba da numba. Den I rememba da building but I forget da floor. But den I check every room an' whoever she is she ain't dare.
Hugh 'Baby Face': Nuttin' for nuttin' kid.
Dippy 'Dip': What a fine ding to do to a kid, a fine ding, a fine ding.


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Facts about

When producer Samuel Goldwyn visited the huge set constructed for the film (a very detailed depiction of a New York City slum) he shouted, "Why do directors always want these slums to be so dirty? Clean it up!" He was eventually persuaded by director William Wyler that very few people lived in clean slums and that it would hurt the picture's credibility if a slum were depicted as a nice place to live.
Sidney Kingsley based his story of a luxury high-rise built in a tenement neighborhood on a real area of 1930's New York. The actual "Dead End" was located on East 53rd Street on Manhattan's East Side. The luxury high-rise depicted in the film is based on The River House, a 26-story Art Deco high-rise erected on 52nd Street in 1931, when the area surrounding it was still a tenement neighborhood. As depicted in the play and film, the rich tenants of The River House looked down on (and occasionally clashed with) the poorer residents of the neighboring tenements. The 53rd Street tenements were torn down in the late 1940's to make way for the United Nations complex. The River House still stands today.
This was the first appearance of the Dead End Kids who later evolved into the East Side Kids and later the Bowery Boys. Producer Samuel Goldwyn brought the boys - who had appeared in the original Broadway production of the play - to Hollywood to appear in the movie. He later regretted the decision, as the boys ran wild through the studio, destroying property and crashing a truck through the wall of a sound stage. Afterwards, Goldwyn decided not to use the boys again and sold their contract to Warner Brothers.
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Best Picture Oscar 1937











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