Carmen Jones (1954) | |
Director(s) | Otto Preminger |
Producer(s) | Otto Preminger |
Top Genres | Drama, Film Adaptation, Musical, Romance |
Top Topics | Based on Play, Book-Based, Femme Fatale, World War II |
Featured Cast:
Carmen Jones Overview:
Carmen Jones (1954) was a Musical - Drama Film directed by Otto Preminger and produced by Otto Preminger.
SYNOPSIS
A sizzling screen version of Bizet's Carmen updated for an all-black cast, including an especially sizzling Dandridge. Soldier Belafonte falls for Dandridge, a seductive factory worker. The lovers flee after the soldier kills his sergeant, but Carmen's taunting faithlessness drives her lover to a crime of passion. Hammerstein provided lyrics for Bizet's melodies, and Preminger added the snap.
(Source: available at Amazon AMC Classic Movie Companion).
.Carmen Jones was inducted into the National Film Registry in 1992.
Academy Awards 1954 --- Ceremony Number 27 (source: AMPAS)
Award | Recipient | Result |
Best Actress | Dorothy Dandridge | Nominated |
Best Music - Scoring | Herschel Burke Gilbert | Nominated |
Carmen Jones BlogHub Articles:
You Otto See It: Carmen Jones (1954)
By Google profile on Nov 9, 2008 From Out of the Past - A Classic Film BlogAbout MeBlogger, Out of the Past - A Classic Film Blog and more. Please add my Google profile to your circles. I do love de movie Carmen Jones. It's de best dat Preminger got! Carmen Jones (1954 or 55) is by far my favorite Otto Preminger film yet. I just adore this film. What's not to love? It's a... Read full article
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Quotes from Carmen Jones
Carmen Jones: 'Scuse my dust, gentlemen. The air's gettin' mighty unconditioned 'round here.
Frankie: Somethin' tells me Chicago's gonna be real good for you.
Myrt: Somethin' tells me you gonna be real bad for Chicago.
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Facts about Carmen Jones
The singing voices of Harry Belafonte and Dorothy Dandridge were dubbed by LeVern Hutcherson and Marilyn Horne respectively, even though Belafonte and Dandridge were both accomplished singers. However, neither had the training nor the range to sing operatic roles. Catherine Hilgenberg, a soloist with the Roger Wagner Chorale (morphed later into the Los Angeles Master Chorale), was originally signed to sing the Carmen role, and a number of the arias were already recorded (with piano, on a separate track), when director Otto Preminger's bullying behavior became too much for her and she quit. Horne ("Jackie") was a 19-year-old music student at nearby USC. She auditioned for the part and was immediately hired - for $300. But it was a terrific break for her, and she grabbed it, and did an outstanding job, re-recording what Hilgenberg had already sung, plus the balance of the music. It's also fun to note that Horne was a singer for Tops Records, a company that made sound-alike recordings of hit records with identical arrangements (in those days arrangements could not be copyrighted) and "stand-ins" who could mim Filming commenced on 30 June 1954 and wrapped up in early August. The soundtrack for the film was recorded at 20th Century Fox Studios beginning on 18 June 1954 and continuing for several weeks.
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