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Rebecca (1940), adapted from Daphne du Maurier's hugely successful novel, looks like it ought to be a winner, given that it was directed by Alfred Hitchcock, produced by David O. Selznick, and performed by Laurence Olivier and Joan Fontaine. Indeed, it was a winner at the 1941 Academy Awards, where read more

Fury (1936) marks director Fritz Lang's debut as a Hollywood filmmaker, although by the time he arrived in the United States he had already made important films like Metropolis (1927), M (1931), and The Testament of Dr. Mabuse (1933). Despite its key position as a transitional work for the director, read more

Fury (1936) marks director Fritz Lang's debut as a Hollywood filmmaker, although by the time he arrived in the United States he had already made important films like Metropolis (1927), M (1931), and The Testament of Dr. Mabuse (1933). Despite its key position as a transitional work for the director, read more

Fury (1936) marks director Fritz Lang's debut as a Hollywood filmmaker, although by the time he arrived in the United States he had already made important films like Metropolis (1927), M (1931), and The Testament of Dr. Mabuse (1933). Despite its key position as a transitional work for the director, read more

D.W. Griffith's silent Civil War epic is one of those films that every serious student of film probably needs to sit through at some point, but for the modern viewer The Birth of a Nation (1915) is a very hard pill to swallow. Lauded by film critics who praise its technique while deploring its polit read more

D.W. Griffith's silent Civil War epic is one of those films that every serious student of film probably feels obligated to sit through at some point, but for the modern viewer The Birth of a Nation (1915) is a very hard pill to swallow. Lauded by film critics who praise its technique while deploring read more

D.W. Griffith's silent Civil War epic is one of those films that every serious student of film probably feels obligated to sit through at some point, but for the modern viewer The Birth of a Nation (1915) is a very hard pill to swallow. Lauded by film critics who praise its technique while deploring read more

Released on DVD under the "Fox Film Noir" banner, Alfred L. Werker's 1946 picture, Shock, properly belongs to the thriller category but can make few claims to true noir status. As a psychological suspense movie starring Vincent Price as an unethical doctor, Shock lacks precisely that quality describ read more

Released on DVD under the "Fox Film Noir" banner, Alfred L. Werker's 1946 picture, Shock, properly belongs to the thriller category but can make few claims to true noir status. As a psychological suspense movie starring Vincent Price as an unethical doctor, Shock lacks precisely that quality describ read more

Released on DVD under the "Fox Film Noir" banner, Alfred L. Werker's 1946 picture, Shock, properly belongs to the thriller category but can make few claims to true noir status. As a psychological suspense movie starring Vincent Price as an unethical doctor, Shock lacks precisely that quality describ read more

Betty Grable is not an actress one normally associates with film noir, but she makes an unusual foray into Dark City in H. Bruce Humberstone's 1941 picture for Fox, I Wake Up Screaming. Nobody ever actually does wake up screaming in the movie, and the ill-chosen title is not the only weakness in evi read more

Betty Grable is not an actress one normally associates with film noir, but she makes an unusual foray into Dark City in H. Bruce Humberstone's 1941 picture for Fox, I Wake Up Screaming. Nobody ever actually does wake up screaming in the movie, and the ill-chosen title is not the only weakness in evi read more

Betty Grable is not an actress one normally associates with film noir, but she makes an unusual foray into Dark City in H. Bruce Humberstone's 1941 picture for Fox, I Wake Up Screaming. Nobody ever actually does wake up screaming in the movie, and the ill-chosen title is not the only weakness in evi read more

2012 was an unusually busy year for yours truly, both as a film blogger and as a writer. The Virtual Virago blog is mostly a classic movie review site these days, but I still post the occasional literary or pop culture discussion, as well as conference papers. When I'm not blogging here or writing a read more

The classic Western has many moods, but the tone of John Ford's Fort Apache (1948) is decidedly dark. Its clouds gather slowly, relieved sometimes by deceptive moments of gaiety and light, but still the storm comes on. Loosely based on the events of Custer's Last Stand, Fort Apache is technically a read more

The classic Western has many moods, but the tone of John Ford's Fort Apache (1948) is decidedly dark. Its clouds gather slowly, relieved sometimes by deceptive moments of gaiety and light, but still the storm comes on. Loosely based on the events of Custer's Last Stand, Fort Apache is technically a read more

The classic Western has many moods, but the tone of John Ford's Fort Apache (1948) is decidedly dark. Its clouds gather slowly, relieved sometimes by deceptive moments of gaiety and light, but still the storm comes on. Loosely based on the events of Custer's Last Stand, Fort Apache is technically a read more

Noir films like The Maltese Falcon (1941) and Double Indemnity (1944) hover at the very top of our culture's cinematic consciousness, but many of the B movies that helped to define classic noir style have not fared as well. Directed by John Berry, Tension (1949) is a more obscure example of noir, bu read more

Noir films like The Maltese Falcon (1941) and Double Indemnity (1944) hover at the very top of our culture's cinematic consciousness, but many of the B movies that helped to define classic noir style have not fared as well. Directed by John Berry, Tension (1949) is a more obscure example of noir, bu read more

Noir films like The Maltese Falcon (1941) and Double Indemnity (1944) hover at the very top of our culture's cinematic consciousness, but many of the B movies that helped to define classic noir style have not fared as well. Directed by John Berry, Tension (1949) is a more obscure example of noir, bu read more