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As you might expect from its title, Supernatural (1933) is a spooky Pre-Code horror story, full of restless spirits, murderers, and over the top atmosphere that plunges the viewer into a fever dream semblance of a plot. It boasts notable stars, with Carole Lombard and Randolph Scott as the young cou read more

Having already seen and enjoyed both Lured (1947) and Thunder on the Hill (1951), I decided to try Shockproof (1949), the third picture included in the Criterion Channel's recent collection spotlighting the film noir work of director Douglas Sirk. Of the trio, this romantic crime story is certainly read more

Rope (1948), Alfred Hitchcock's first color picture, is a twisting, carefully orchestrated thriller with a deceptively simple title, one that is as much about the killers as the murder weapon they wield in the film's opening shot. There's no air of mystery hovering over the claustrophobic confines o read more

I recently devoured Stephanie Wrobel's new mystery novel, The Hitchcock Hotel, and, as its name implies, this is a fantastic book for fans of Alfred Hitchcock's films. I picked up the ebook based solely on its title and promo blurb, not having read anything by Wrobel before, and I was hooked as soon read more

Every month brings a new set of themed collections to the Criterion Channel, and they're always a mix of classic, foreign, art house, and more mainstream fare. The collections for January 2025 kick off the new year with a typical mix, including Surveillance Cinema, Cast Against Type: Heroes as Villa read more

It's time for my annual look back at the previous year's movie viewing! 2024 was another busy year for my family, and as usual my movie viewing was dependent on other people's schedules and preferences. My list for 2024 therefore represents a mix of old and newer movies, some chosen by the other mem read more

This fall I taught a lifetime learning class about the history and cinematic legacy of Frankenstein, so of course I've had the iconic tale of gods and monsters on my mind throughout the Halloween season. One of the reasons for the story's enduring success is its adaptability; like Shakespearean play read more

I'm always excited to see my varying interests combine in books/films/TV series, and the last few years have been generous to SFF readers who also know and love classic movies. This year I've read two particularly good science fiction novels that look to classic literary/movie detectives for inspira read more

After two years of work, I'm delighted to announce that Space, the Feminist Frontier: Essays on Sex and Gender in Star Trek is ready for publication! Our official release date with McFarland is September 2nd, 2024, and the book is now available for pre-order on Amazon and other retailers. You should read more

I'm always excited when the Criterion Channel offers a themed film noir collection, especially because there are usually a few gems I don't own and a few more obscure titles I haven't yet seen. For August 2024, Criterion has a particularly seductive lineup with Vacation Noir, which showcases dark de read more

Summer has arrived, and the Fourth of July is just around the corner. It's too hot to be outside, so why not celebrate with some classic movies set in our nation's capital? If you haven't been feeling especially optimistic about our country's politicians lately, these films might provide some relief read more

This spring has been one thing after another! Family travel, a totaled car, an actual tornado that hit my neighborhood, and a couple of bouts of minor illness have kept me away from the blog for too long. I hope to get a full movie review up soon, but to make up for my absence here's a highlight fro read more

In his original review of the 1982 film musical, Roger Ebert offers qualified - and often rather faint - praise for Annie but says he doesn't know if kids will actually like the movie. Ebert doesn't find the story's heroine very compelling or believable, but it's noteworthy that all of the other chi read more

I often tell people that I love "weird movies," and Hundreds of Beavers (2022) is definitely one of the weirdest, wackiest, and most purely delightful movies I have seen in a long time. This festival darling from Mike Cheslik (writer and director) and Ryland Brickson Cole Tews (writer and star) puts read more

Director Joseph H. Lewis is best remembered today for his influential noir classic, Gun Crazy (1950), but he also brings great tension to My Name is Julia Ross (1945), an atmospheric thriller from Columbia Pictures that stars Nina Foch as the titular heroine. Despite its modern day setting, Julia's read more

Bette Davis won her second Academy Award for Best Actress for the Civil War melodrama, Jezebel (1938), which took advantage of the cultural mania over Gone with the Wind by using many of the same plot elements and beating the 1939 blockbuster to theaters. Like Gone with the Wind, Jezebel tells the s read more

Happy New Year! Here's hoping that 2024 brings you good moments and many great movies. It's time again to look back at the last year of my movie viewing and make the final tally of films watched. My classic movie choices for 2023 were heavily affected by the many great collections on the Criterion C read more

I decided to watch The Cheat (1931) knowing that other classic movie bloggers have found the picture merely mediocre, but with Huntsville native Tallulah Bankhead in the starring role I felt obligated to give it a try and see for myself. Sadly, this Pre-Code drama deserves the lukewarm reviews other read more

On paper, Universal's 1932 Murders in the Rue Morgue sounds terrific; it adapts a chilling story from Edgar Allan Poe, stars Bela Lugosi, and offers Expressionist cinematography by Karl Freund, complete with all the lurid sensibility that Pre-Code horror can provide. Unfortunately, the movie doesn't read more

Of all the films I have watched so far in the Criterion Channel's Gaslight Noir collection, Blanche Fury (1948) is the darkest, even though it's also the brightest thanks to its use of gorgeous Technicolor. This adaptation of the 1939 novel by Marjorie Bowen (under the pseudonym Joseph Shearing) emp read more