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There's something of a kitchen sink feeling about Dancing Lady (1933) that is bound to pique the interest of any classic film fan. You want Busby Berkeley style musical numbers with lots of skin? Done. How about Joan Crawford, Clark Gable, and Franchot Tone in a steamy love triangle? Yes, you can ha read more

There's something of a kitchen sink feeling about Dancing Lady (1933) that is bound to pique the interest of any classic film fan. You want Busby Berkeley style musical numbers with lots of skin? Done. How about Joan Crawford, Clark Gable, and Franchot Tone in a steamy love triangle? Yes, you can ha read more

Following Adam's Rib (1949) in the progression of Hepburn-Tracy pictures, Pat and Mike (1952) reunites all of the key players who had made that film such a success; we have our two stars, of course, and also director George Cukor and writers Ruth Gordon and Garson Kanin, who were apparently inspired read more

Following Adam's Rib (1949) in the progression of Hepburn-Tracy pictures, Pat and Mike (1952) reunites all of the key players who had made that film such a success; we have our two stars, of course, and also director George Cukor and writers Ruth Gordon and Garson Kanin, who were apparently inspired read more

Following Adam's Rib (1949) in the progression of Hepburn-Tracy pictures, Pat and Mike (1952) reunites all of the key players who had made that film such a success; we have our two stars, of course, and also director George Cukor and writers Ruth Gordon and Garson Kanin, who were apparently inspired read more

We associate Vincent Price with certain kinds of roles, although generally speaking he played villains in both his early dramas and his later horror films, sliding from oily Sir Walter Raleigh in The Private Lives of Elizabeth and Essex (1939) to the deranged anti-heroes of Corman's cult classics in read more

We associate Vincent Price with certain kinds of roles, although generally speaking he played villains in both his early dramas and his later horror films, sliding from oily Sir Walter Raleigh in The Private Lives of Elizabeth and Essex (1939) to the deranged anti-heroes of Corman's cult classics in read more

We associate Vincent Price with certain kinds of roles, although generally speaking he played villains in both his early dramas and his later horror films, sliding from oily Sir Walter Raleigh in The Private Lives of Elizabeth and Essex (1939) to the deranged anti-heroes of Corman's cult classics in read more

As a piece of classic cinema history, They Drive by Night (1940) makes an excellent study in the different ways in which some of our most celebrated actors became certified stars. Raoul Walsh's dramatic noir film about truck-driving brothers launched twenty-two year old Ida Lupino into stardom and h read more

As a piece of classic cinema history, They Drive by Night (1940) makes an excellent study in the different ways in which some of our most celebrated actors became certified stars. Raoul Walsh's dramatic noir film about truck-driving brothers launched twenty-two year old Ida Lupino into stardom and h read more

As a piece of classic cinema history, They Drive by Night (1940) makes an excellent study in the different ways in which some of our most celebrated actors became certified stars. Raoul Walsh's dramatic noir film about truck-driving brothers launched twenty-two year old Ida Lupino into stardom and h read more

Take the stage to High Chaparral If you love classic Westerns, Old Tucson Studios might just be your personal piece of heaven. The working movie lot has been hanging around on the outskirts of Tucson, Arizona, since 1939, when it was built for the filming of, naturally, Arizona, which starred Jean read more

Take the stage to High Chaparral If you love classic Westerns, Old Tucson Studios might just be your personal piece of heaven. The working movie lot has been hanging around on the outskirts of Tucson, Arizona, since 1939, when it was built for the filming of, naturally, Arizona, which starred Jean read more

Take the stage to High Chaparral If you love classic Westerns, Old Tucson Studios might just be your personal piece of heaven. The working movie lot has been hanging around on the outskirts of Tucson, Arizona, since 1939, when it was built for the filming of, naturally, Arizona, which starred Jean read more

Directed by George Stevens, Woman of the Year (1942) offers us the first fateful pairing of that iconic Hollywood duo, Katharine Hepburn and Spencer Tracy. They would make nine films together, ultimately becoming one of the most famous couples in movie history, both for their onscreen performances a read more

Directed by George Stevens, Woman of the Year (1942) offers us the first fateful pairing of that iconic Hollywood duo, Katharine Hepburn and Spencer Tracy. They would make nine films together, ultimately becoming one of the most famous couples in movie history, both for their onscreen performances a read more

Directed by George Stevens, Woman of the Year (1942) offers us the first fateful pairing of that iconic Hollywood duo, Katharine Hepburn and Spencer Tracy. They would make nine films together, ultimately becoming one of the most famous couples in movie history, both for their onscreen performances a read more

Sometimes good actors make bad movies, and such is the case with Paul Henreid and Joan Bennett in the dreadfully tepid crime picture, Hollow Triumph (1948), also known as The Scar and The Man Who Murdered Himself. Both performers deserve to be celebrated for their roles in other films, but the ridic read more

Sometimes good actors make bad movies, and such is the case with Paul Henreid and Joan Bennett in the dreadfully tepid crime picture, Hollow Triumph (1948), also known as The Scar and The Man Who Murdered Himself. Both performers deserve to be celebrated for their roles in other films, but the ridic read more

Sometimes good actors make bad movies, and such is the case with Paul Henreid and Joan Bennett in the dreadfully tepid crime picture, Hollow Triumph (1948), also known as The Scar and The Man Who Murdered Himself. Both performers deserve to be celebrated for their roles in other films, but the ridic read more