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Plenty of the later Universal horror movies pack in the monsters, but House of Frankenstein (1944) really outdoes the rest by jamming a whole madhouse of familiar players into its many roles, not only as the headlining creatures but also as supporting characters. The story is so convoluted and episo read more

Don Ameche fans can get a double dose of the charismatic leading man in That Night in Rio (1941), a frothy musical romance costarring Alice Faye and Carmen Miranda. Directed by Irving Cummings, this South American story features Ameche playing not one but two characters, which drives a complicated p read more

Don Ameche fans can get a double dose of the charismatic leading man in That Night in Rio (1941), a frothy musical romance costarring Alice Faye and Carmen Miranda. Directed by Irving Cummings, this South American story features Ameche playing not one but two characters, which drives a complicated p read more

Don Ameche fans can get a double dose of the charismatic leading man in That Night in Rio (1941), a frothy musical romance costarring Alice Faye and Carmen Miranda. Directed by Irving Cummings, this South American story features Ameche playing not one but two characters, which drives a complicated p read more

John Ford directed many more famous Westerns than Wagon Master (1950), but this modest oater about a Mormon wagon train reveals many of Ford’s signature touches and favorite players. It’s a dramatic tale that focuses on the interactions of several different kinds of frontier outsiders, i read more

John Ford directed many more famous Westerns than Wagon Master (1950), but this modest oater about a Mormon wagon train reveals many of Ford’s signature touches and favorite players. It’s a dramatic tale that focuses on the interactions of several different kinds of frontier outsiders, i read more

John Ford directed many more famous Westerns than Wagon Master (1950), but this modest oater about a Mormon wagon train reveals many of Ford’s signature touches and favorite players. It’s a dramatic tale that focuses on the interactions of several different kinds of frontier outsiders, i read more

Musical comedies tend to be light, colorful affairs, the cinematic equivalent of cotton candy, and they have to be judged accordingly. If the picture is fun, sweet, and easy to watch, then it succeeds at its intended purpose, and Dangerous When Wet (1953) certainly fits the bill. Yes, Esther William read more

Musical comedies tend to be light, colorful affairs, the cinematic equivalent of cotton candy, and they have to be judged accordingly. If the picture is fun, sweet, and easy to watch, then it succeeds at its intended purpose, and Dangerous When Wet (1953) certainly fits the bill. Yes, Esther William read more

Musical comedies tend to be light, colorful affairs, the cinematic equivalent of cotton candy, and they have to be judged accordingly. If the picture is fun, sweet, and easy to watch, then it succeeds at its intended purpose, and Dangerous When Wet (1953) certainly fits the bill. Yes, Esther William read more

Having already made The Curse of Frankenstein (1957) and Horror of Dracula (1958), Hammer Films next turned its attention to reinventing the story of a different horror icon, the stiff-armed Egyptian creature known as The Mummy (1959). This adaptation, like the best of the Hammer horrors, stars Pete read more

Lon Chaney, Jr., God bless him, had certain talents as an actor, but he was no man of a thousand faces like his chameleon father. The limits of the younger Chaney’s abilities come into plain view in Son of Dracula (1943), which badly miscasts the horror star as the iconic vampire (or his desce read more

Lon Chaney, Jr., God bless him, had certain talents as an actor, but he was no man of a thousand faces like his chameleon father. The limits of the younger Chaney’s abilities come into plain view in Son of Dracula (1943), which badly miscasts the horror star as the iconic vampire (or his desce read more

Lon Chaney, Jr., God bless him, had certain talents as an actor, but he was no man of a thousand faces like his chameleon father. The limits of the younger Chaney’s abilities come into plain view in Son of Dracula (1943), which badly miscasts the horror star as the iconic vampire (or his desce read more

Released in 1945, House of Dracula is one of the many monster movie sequels that Universal churned out in an effort to keep audiences coming back for more of their favorite fiends, and, like Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), or the later Abbott and Costello Meet F read more

Released in 1945, House of Dracula is one of the many monster movie sequels that Universal churned out in an effort to keep audiences coming back for more of their favorite fiends, and, like Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), or the later Abbott and Costello Meet F read more

Released in 1945, House of Dracula is one of the many monster movie sequels that Universal churned out in an effort to keep audiences coming back for more of their favorite fiends, and, like Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), or the later Abbott and Costello Meet F read more

Directed by Norman Z. McLeod and an uncredited Busby Berkeley, Lady Be Good (1941) provides a perfectly entertaining example of the sort of light musical romance that doesn’t get a lot of acclaim these days but still has plenty to offer to viewers who are just looking for a good time. With sol read more

Directed by Norman Z. McLeod and an uncredited Busby Berkeley, Lady Be Good (1941) provides a perfectly entertaining example of the sort of light musical romance that doesn’t get a lot of acclaim these days but still has plenty to offer to viewers who are just looking for a good time. With sol read more

Directed by Norman Z. McLeod and an uncredited Busby Berkeley, Lady Be Good (1941) provides a perfectly entertaining example of the sort of light musical romance that doesn’t get a lot of acclaim these days but still has plenty to offer to viewers who are just looking for a good time. With sol read more