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At first glance, The Undying Monster (1942) looks like yet another routine programmer of its era, one of many low-budget B horrors churned out by various studios in the wake of the Universal monsters’ success. It clocks in at just over an hour, with a cast that most viewers are unlikely to kno read more

At first glance, The Undying Monster (1942) looks like yet another routine programmer of its era, one of many low-budget B horrors churned out by various studios in the wake of the Universal monsters’ success. It clocks in at just over an hour, with a cast that most viewers are unlikely to kno read more

Born on July 22, 1889, the English director James Whale stands with Tod Browning as one of the most important developers of the 1930s horror genre. Both directors worked to give the iconic Universal horrors their sense of style, but Whale set the bar particularly high with his combination of terror read more

Born on July 22, 1889, the English director James Whale stands with Tod Browning as one of the most important developers of the 1930s horror genre. Both directors worked to give the iconic Universal horrors their sense of style, but Whale set the bar particularly high with his combination of terror read more

Once upon a time, the romance of Victorian poets Elizabeth Barrett and Robert Browning was one of the world’s most celebrated love stories, although today it’s a tale that only English majors with a particular interest in the 19th century are likely to know well. The Barretts of Wimpole read more

Once upon a time, the romance of Victorian poets Elizabeth Barrett and Robert Browning was one of the world’s most celebrated love stories, although today it’s a tale that only English majors with a particular interest in the 19th century are likely to know well. The Barretts of Wimpole read more

Once upon a time, the romance of Victorian poets Elizabeth Barrett and Robert Browning was one of the world’s most celebrated love stories, although today it’s a tale that only English majors with a particular interest in the 19th century are likely to know well. The Barretts of Wimpole read more

Being a 42 year old woman myself, I'm fascinated by the presumption of Tom Junod's recent Esquire piece, which opens with the statement that "there used to be something tragic about even the most beautiful forty-two year old woman." The essay has swiftly and justly provoked a chorus of mockery and r read more

Being a 42 year old woman myself, I'm fascinated by the presumption of Tom Junod's recent Esquire piece, which opens with the statement that "there used to be something tragic about even the most beautiful forty-two year old woman." The essay has swiftly and justly provoked a chorus of mockery and r read more

Being a 42 year old woman myself, I'm fascinated by the presumption of Tom Junod's recent Esquire piece, which opens with the statement that "there used to be something tragic about even the most beautiful forty-two year old woman." The essay has swiftly and justly provoked a chorus of mockery and r read more

Nominated for five Academy Awards, I Remember Mama (1948) is one of those movies that requires a handful of hankies to watch, especially for those who have fond memories of their own mothers. George Stevens’ nostalgic melodrama has all the right ingredients for a classic tearjerker, including read more

Nominated for five Academy Awards, I Remember Mama (1948) is one of those movies that requires a handful of hankies to watch, especially for those who have fond memories of their own mothers. George Stevens’ nostalgic melodrama has all the right ingredients for a classic tearjerker, including read more

Nominated for five Academy Awards, I Remember Mama (1948) is one of those movies that requires a handful of hankies to watch, especially for those who have fond memories of their own mothers. George Stevens’ nostalgic melodrama has all the right ingredients for a classic tearjerker, including read more

Like his earlier film, The 39 Steps (1935), Alfred Hitchcock’s The Lady Vanishes (1938) straddles the line between mystery thriller and screwball romance. The sinister elements of this disappearing act staged on a moving train are matched, if not outweighed, by a pair of bickering amateur dete read more

Like his earlier film, The 39 Steps (1935), Alfred Hitchcock’s The Lady Vanishes (1938) straddles the line between mystery thriller and screwball romance. The sinister elements of this disappearing act staged on a moving train are matched, if not outweighed, by a pair of bickering amateur dete read more

Like his earlier film, The 39 Steps (1935), Alfred Hitchcock’s The Lady Vanishes (1938) straddles the line between mystery thriller and screwball romance. The sinister elements of this disappearing act staged on a moving train are matched, if not outweighed, by a pair of bickering amateur dete read more

Long before Ghost (1990) moved audiences with its tale of supernatural romance, The Ghost and Mrs. Muir (1947) depicted the bittersweet love affair of a living woman and a spectral man. Director Joseph L. Mankiewicz crafts a story short on special effects but bursting with sentimental ambience, incl read more

Long before Ghost (1990) moved audiences with its tale of supernatural romance, The Ghost and Mrs. Muir (1947) depicted the bittersweet love affair of a living woman and a spectral man. Director Joseph L. Mankiewicz crafts a story short on special effects but bursting with sentimental ambience, incl read more

Long before Ghost (1990) moved audiences with its tale of supernatural romance, The Ghost and Mrs. Muir (1947) depicted the bittersweet love affair of a living woman and a spectral man. Director Joseph L. Mankiewicz crafts a story short on special effects but bursting with sentimental ambience, incl read more

Steamy Pre-Code sensuality drives the plot of Victor Fleming’s Red Dust (1932), in which Clark Gable and Jean Harlow prove the powder keg appeal of their onscreen chemistry. The story unfolds against the equally heated backdrop of an exotic tropical location, where tigers and torrential rains read more