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Olivia de Havilland won her second Oscar for Best Actress for The Heiress (1949), William Wyler's dramatic adaptation of the Henry James novel, Washington Square. The awkward, naive protagonist de Havilland plays is a far cry from the unshakably sweet Melanie Wilkes, the role for which de Havilland read more

Olivia de Havilland won her second Oscar for Best Actress for The Heiress (1949), William Wyler's dramatic adaptation of the Henry James novel, Washington Square. The awkward, naive protagonist de Havilland plays is a far cry from the unshakably sweet Melanie Wilkes, the role for which de Havilland read more

Olivia de Havilland won her second Oscar for Best Actress for The Heiress (1949), William Wyler's dramatic adaptation of the Henry James novel, Washington Square. The awkward, naive protagonist de Havilland plays is a far cry from the unshakably sweet Melanie Wilkes, the role for which de Havilland read more

Despite its gruesome title, Dead Ringer (1964) provides a sharp contrast to the better known hagsploitation movies Bette Davis made during the same period. In both Whatever Happened to Baby Jane? (1962) and Hush... Hush, Sweet Charlotte (1964), Davis plays aging women well beyond the verge of a nerv read more

Recently I gave a talk at Rocket City NerdCon about classic science fiction movies, with an emphasis on some of the essential classics that every fan should see. Here, for those of you who didn't make it to the panel, is the list from the talk. Getting it down to just ten movies proved more or less read more

Despite its gruesome title, Dead Ringer (1964) provides a sharp contrast to the better known hagsploitation movies Bette Davis made during the same period. In both Whatever Happened to Baby Jane? (1962) and Hush... Hush, Sweet Charlotte (1964), Davis plays aging women well beyond the verge of a nerv read more

Despite its gruesome title, Dead Ringer (1964) provides a sharp contrast to the better known hagsploitation movies Bette Davis made during the same period. In both Whatever Happened to Baby Jane? (1962) and Hush... Hush, Sweet Charlotte (1964), Davis plays aging women well beyond the verge of a nerv read more

Macabre is less gimmick-driven than some of William Castle's later, more infamous shockers, despite the opening warning that audience members should alert the theater management if patrons suffer fear-induced medical emergencies. The title makes a similar overstatement of the thrills on offer, since read more

Macabre is less gimmick-driven than some of William Castle's later, more infamous shockers, despite the opening warning that audience members should alert the theater management if patrons suffer fear-induced medical emergencies. The title makes a similar overstatement of the thrills on offer, since read more

Macabre is less gimmick-driven than some of William Castle's later, more infamous shockers, despite the opening warning that audience members should alert the theater management if patrons suffer fear-induced medical emergencies. The title makes a similar overstatement of the thrills on offer, since read more

Tod Browning made a lasting mark on the horror genre with Dracula (1931), but Freaks (1932) is by far the stranger and more inventive of the two films. The director had explored the circus before with Lon Chaney silents like The Unholy Three (1925) and The Unknown (1927), as well The Show (1927) wit read more

Tod Browning made a lasting mark on the horror genre with Dracula (1931), but Freaks (1932) is by far the stranger and more inventive of the two films. The director had explored the circus before with Lon Chaney silents like The Unholy Three (1925) and The Unknown (1927), as well The Show (1927) wit read more

Tod Browning made a lasting mark on the horror genre with Dracula (1931), but Freaks (1932) is by far the stranger and more inventive of the two films. The director had explored the circus before with Lon Chaney silents like The Unholy Three (1925) and The Unknown (1927), as well The Show (1927) wit read more

Ray Milland takes over from Vincent Price as Roger Corman's lead actor in The Premature Burial (1962), which builds a feature-length story of obsession and betrayal around a much simpler tale by Edgar Allan Poe. Price's absence makes this entry into Corman's Poe canon less of a favorite among classi read more

Ray Milland takes over from Vincent Price as Roger Corman's lead actor in The Premature Burial (1962), which builds a feature-length story of obsession and betrayal around a much simpler tale by Edgar Allan Poe. Price's absence makes this entry into Corman's Poe canon less of a favorite among classi read more

Ray Milland takes over from Vincent Price as Roger Corman's lead actor in The Premature Burial (1962), which builds a feature-length story of obsession and betrayal around a much simpler tale by Edgar Allan Poe. Price's absence makes this entry into Corman's Poe canon less of a favorite among classi read more

Directed by Robert Day, The Haunted Strangler (1958) comes from the later part of Boris Karloff's career, long after his iconic roles in Frankenstein (1931) and The Mummy (1932). Karloff churned out modest chillers for decades, and he's usually the best thing in them, but The Haunted Strangler gives read more

Directed by Robert Day, The Haunted Strangler (1958) comes from the later part of Boris Karloff's career, long after his iconic roles in Frankenstein (1931) and The Mummy (1932). Karloff churned out modest chillers for decades, and he's usually the best thing in them, but The Haunted Strangler gives read more

Directed by Robert Day, The Haunted Strangler (1958) comes from the later part of Boris Karloff's career, long after his iconic roles in Frankenstein (1931) and The Mummy (1932). Karloff churned out modest chillers for decades, and he's usually the best thing in them, but The Haunted Strangler gives read more

If you're in the Huntsville area, head on over to NerdCon at the Huntsville-Madison County Public Library this weekend. I'll be there doing a joint panel on Stunt Casting in Modern Popular Culture on Friday evening and a solo talk about 10 Classic Sci-Fi Movies Every Geek Should Know on Saturday aft read more