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A Closer Look At “London After Midnight” (1927) It’s probably the most famous, most sought-after lost silent film of all time: London After Midnight (1927), starring the screen legend Lon Chaney and directed by the macabre-minded Tod Browning. Despite constant attempts to track it dow read more

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, th read more

“These are words of the Lord…or the federal government.” Derek Webb has a song called “Spirit.” For anyone with a religious upbringing, it might conjure up the “Holy Ghost” — the Helper meant to fill up Christian faithful as they worship God in their read more

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, th read more

Chimes at Midnight opens with Orson Welles and Alan Webb, both aged men in the Medieval Ages, bumbling (probably at least somewhat drunkenly) in for the night; they sit at a fire and gently reminisce about their youth. The scene gives a first look at screenwriter, director, star Welles in all his g read more

Chimes at Midnight opens with Orson Welles and Alan Webb, both aged men in the Medieval Ages, bumbling (probably at least somewhat drunkenly) in for the night; they sit at a fire and gently reminisce about their youth. The scene gives a first look at screenwriter, director, star Welles in all his g read more

Chimes at Midnight opens with Orson Welles and Alan Webb, both aged men in the Medieval Ages, bumbling (probably at least somewhat drunkenly) in for the night; they sit at a fire and gently reminisce about their youth. The scene gives a first look at screenwriter, director, star Welles in all his g read more

Chimes at Midnight opens with Orson Welles and Alan Webb, both aged men in the Medieval Ages, bumbling (probably at least somewhat drunkenly) in for the night; they sit at a fire and gently reminisce about their youth. The scene gives a first look at screenwriter, director, star Welles in all his g read more

COMEDY GOLD #12: The telephone conversation from Midnight (1939) On February 15, 2019 By CarolIn Uncategorized Midnight (dir. Mitchell Leisen, 1939) is one of the many, many gems that came out in Hollywood’s greatest ever year. Not only that, but read more

In Osaka in the early 1970s, a pawnbroker is found savagely murdered in an abandoned building. The crime fascinates Detective Sasagaki, but when, over the next year, the two major suspects die — one in a traffic accident, the other in what everyone thinks is suicide although murder and misadv read more

“You’re in a fine mess! You got to get a divorce from a man you’re not even married to!” It was only a recent revelation that Claudette Colbert at times feels far too sophisticated to be playing beautiful hitchhikers or penniless taxi passengers as she does in It Happened On read more

US / 69 minutes / bw / Sol M. Wurtzel, Twentieth Century–Fox Dir: William F. Claxton Pr: Sol M. Wurtzel Scr: Arnold Belgard Cine: Benjamin Kline Cast: Kent Taylor, Peggy Knudsen, Joe Sawyer, Walter Sande, Martin Kosleck, Mabel Paige, Gil Stratton Jr., Jean Wong, Jane Everett, Damian O’Flynn, read more

“There live not three good men unhanged in England. And one of them is fat and grows old.” It seems Orson Welles never did anything on a cursory level. There’s always a gravitas — the unique personality of the man displayed in his work whether it is behind the camera or in fr read more

“There live not three good men unhanged in England. And one of them is fat and grows old.” It seems Orson Welles never did anything on a cursory level. There’s always a gravitas — the unique personality of the man displayed in his work whether it is behind the camera or in fr read more

“There live not three good men unhanged in England. And one of them is fat and grows old.” It seems Orson Welles never did anything on a cursory level. There’s always a gravitas — the unique personality of the man displayed in his work whether it is behind the camera or in fr read more

US / 21 minutes / color / Halcyon Valor, One Forest Dir & Scr: Jamison M. LoCascio Pr: Louis J. Ambrosio, Jamison M. LoCascio, Collen Doyle Cine: Conor Shillen Cast: Tyrone Grant, Skyler Pinkerton. A very simple tale with a profoundly neonoir affect. After looking furtively around him, a young read more

On August 19, 1972 a special program appeared on NBC urging younger voters to get out and vote in the upcoming presidential election. Sponsored by Chevrolet, the special feature live acts performing their own music, something rather unique at the time since, like many appearances by acts on TV today read more

Midnight is a rather smart film. Screenwriters Charles Brackett and Billy Wilder are able to do a whole bunch of plot twists–always through comedic means–because of how they’ve got the film structured. The film opens with Claudette Colbert arriving in Paris, penniless. Taxi driver read more

It's almost comforting to watch Orson Welles play the title character in Falstaff/ Chimes at Midnight (1965), because he seems so happily at home. The director called it his favorite film, a sentiment that wasn't shared by critics upon its release, but which has changed in the years since. In a read more

Great films of 1939: “Midnight” Great films of 1939: “Midnight” Where: The Venue 1550 at the Daystar Center, 1550 S. State Street, Chicago, IL When: January 16, 2016 Time: 6:45 p.m. Hosted by Stephen Reginald A rainy night in Paris Midnight is a delightful romantic scr read more