Judith Wilkison: Either you're too good to be true or you're clever and careful and I don't like clever and careful people.
John Parrish: You're trying to pick a fight with me, why?


--Glenn Ford (as John Parrish) in The Violent Men

Chris Emery: You're Steve - Domenique told me.
Steve Emery: ..and I know who you are. I read about you in the paper.


--Glenn Ford (as Steve Emery) in Affair in Trinidad

[after discovering where their leader has been hidden, one of Wade's gang members rides off to gather the outlaws to rescue their leader]
Ben Wade: Now don't go blamin' yourself, because it isn't your fault, you know. He'd have seen the same thing in Benson or Huachuca. No matter where you take me, somebody would be ridin' for help right now. You see, when one of us gets caught, we figure out all the places where they might take us and then we send one man ahead to each of those places... and wait... and watch.


--Glenn Ford (as Ben Wade) in 3:10 to Yuma

[first lines]
Norman Jones: Wake up Manhattan. Come out of that warm, rosy dream, open those big, luscious eyes and meet a new, exciting day. I'm talking to you ravishing, delicious, madcap girls still in that warm, cozy bed. Now what you need is a nice, hot cup of coffee, Bentley Coffee of course. That rich, intoxicating aroma, that tantalizing blend that makes the senses reel and the pulses tingle.
[shouts]
Norman Jones: Look out! Don't burn those delicate, sensuous fingers. Why if anything should happen to those wild, impetuous hands, Jones would be heartbroken, Aw, did she hurt herself? Don't cry. Old Norm here will fix it.
[sounds of kisses]
Norman Jones: There now, doesn't that feel better?
Tom Corbett: [turns off radio]
[writes himself a note]
Tom Corbett: STOP NORM


--Glenn Ford (as ) in The Courtship of Eddie's Father

[first lines]
Mr. Butterfield, Stage Line Owner: Let me warn you - I am Mr. Butterfield; this is my line, these are my passengers. You bother any of them, I'll hound you from here to kingdom come.
Ben Wade: Mr. Butterfield, we don't mean to bother anybody - we just mean to get what's under that tarpaulin up there, that's all


--Glenn Ford (as Ben Wade) in 3:10 to Yuma

[George straps on his gunbelt]
Dora Temple: What difference does that make?
George Temple: They've got to know who I am.


--Glenn Ford (as George Temple / George Kelby, Jr.) in The Fastest Gun Alive

[last lines]
Lou Glover: Must give you a funny feeling to look at your own grave.
Dora Temple: What's down there, Lou?
Lou Glover: Oh, just a coffin full of stones and the reputation of the fastest gun alive.
Dora Temple: And the gun?
George Temple: That's down there, too.
Dora Temple: Well, I guess that takes care of everything.
George Temple: I guess we can go home now.


--Glenn Ford (as George Temple / George Kelby, Jr.) in The Fastest Gun Alive

[No one attends Wade Matlock's funeral]
John Parrish: Matlock wasn't the kind to have any friends after he was dead.


--Glenn Ford (as John Parrish) in The Violent Men

Dr. Michael Corday: [after to waking up his superior in the middle of the night] Look, I know you don't like me. I don't blame you. But I had to talk to somebody, that's why I came here...
Dr. Alfred Norton: ...sit down. What's wrong?
Dr. Michael Corday: Thanks.
Dr. Alfred Norton: [seeing the grim look on Corday's face, and trying to break the tension] What, did you kill somebody?
Dr. Michael Corday: [laughs nervously] No.
Dr. Alfred Norton: That's alright. I've heard about the girl. What's the trouble?
Dr. Michael Corday: My father.
Dr. Alfred Norton: Oh, I see.
Dr. Michael Corday: You see, if I get involved with her, I'm on my own. If I toe the line, I can have the residency at Chelsea. It's... well, you know what that means.
Dr. Alfred Norton: Yeah. I'd like to help you out... but nobody can make that decision - you have to make it for yourself.
Dr. Michael Corday: [Dejectedly, as he gets up to leave] You're right, I shouldn't have come here. I'm sorry. I'll just...
Dr. Alfred Norton: [takes out a bottle of whiskey] . Sit down, sit down. I'm awake now. Let's have a drink together.
Dr. Michael Corday: [smiles gently] Okay.
Dr. Alfred Norton: You know, somehow you don't seem to qualify as a distress case. A ballplayer who's lost an arm, or a painter who goes blind. Let me tell you how I feel about it. Men like your father are tops. We had them in China. But the war kind of jumbles up things. You see a chest specialist doing eye surgery in an emergency station. An endocrine man, handling an amputation. That's when I discovered something. That whether you're doing a decompression on a man's head, or removing a splinter from his finger, you're part of the greatest fraternity in the world. There's nothing like it. Why, I'd be happy in your father's shoes, or as... as a country doctor. Just as long as I was on the team.
Dr. Michael Corday: [after staring into his drink, he looks up] That's what I wanted to hear. Something like that.
Dr. Alfred Norton: Now, don't get oversold. You see, what's right for me may be wrong for you. Ask yourself honestly, what it is that you want. And what you're willing to pay for it.
Dr. Michael Corday: [smiles as he get he gets up to leave] Thanks.
Dr. Alfred Norton: [smiles] You know, every day I convert doctors to the practice of medicine.


--Glenn Ford (as Dr. Michael Corday) in The Doctor and the Girl