Micky Dolenz
(as Micky)
Micky Dolenz:
We told you a hundred times, good officer, sir. We last saw him inside the john... er... comfort room.
Michael Nesmith
(as Mike)
Michael Nesmith
(as Mike)
Michael Nesmith
(as Mike)
Mike:
Okay. You think they call us plastic now, babe, but wait 'til I get through telling them how we do it.
Davy Jones
(as Davy)
Peter Tork, Micky Dolenz, Mike, Davy Jones:
[chanted in unison] Hey hey we are the Monkees, you know we aim to please. A manufactured image with no philosophies.
Micky Dolenz
(as Micky)
Peter Tork:
Everybody's where they wanna be.
Micky Dolenz: That is a particularly inept thing to say, Peter, considering that we are in a vacuum cleaner.
Micky Dolenz: That is a particularly inept thing to say, Peter, considering that we are in a vacuum cleaner.
Peter Tork
(as Peter)
Peter Tork
(as Peter)
Peter:
It's all right, Davy, there's nothing wrong.
Davy: Nothing wrong, huh?
Peter: That's right, I came here to tell you, man, that everything...
Davy: You know what I saw in there?
Peter: Yes.
Davy: An eye, man, an eye, this big, blood red, it was as clear as the nose on your face, it was looking at me.
Peter: Peace, David, I know.
Davy: Nothing wrong, huh?
Peter: That's right, I came here to tell you, man, that everything...
Davy: You know what I saw in there?
Peter: Yes.
Davy: An eye, man, an eye, this big, blood red, it was as clear as the nose on your face, it was looking at me.
Peter: Peace, David, I know.
Micky Dolenz
(as Micky)
Peter:
MICKY! Micky! Micky! I'm the dummy, Micky. I'm always the dummy.
Micky Dolenz: You're right, Pete. You're always the dummy. I forgot. I'm sorry. Sorry. You're always the dummy, Pete. I'm sorry, sorry...
Micky Dolenz: You're right, Pete. You're always the dummy. I forgot. I'm sorry. Sorry. You're always the dummy, Pete. I'm sorry, sorry...
Peter Tork
(as Peter)
Peter:
We were talking with the Master regarding the nature of conceptual reality. Psychologically speaking, the human mind, or brain or whatever, is almost incapable of distinguishing between the real and the vividly imagined experience. Sound and film and music and radio. Even these manipulative experiences are received more or less directly and uninterpretive by the mind. They are cataloged and recorded and either acted upon directly, or stored in the memory, or both. Now this process, unless we pay it tremendous attention, begins to separate us from the reality of the now. Am I being clear? For we must allow the reality of the now to just happen, as it happens. Observe and act with clarity. For where there is clarity, there is no choice. And were there is choice, there is misery. But then, why should I speak, since I know nothing?