The King of Kings (1927)

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Cecil B. DeMille did not want to take any chances with the film. His two stars, H.B. Warner and Dorothy Cumming, were required to sign agreements which prohibited them from appearing in film roles that might compromise their "holy" screen images for a five-year period. DeMille also ordered them not to be seen doing any "un-Biblical" activities during the film's shooting. These activities included attending ball games, playing cards, frequenting night clubs, swimming, and riding in convertibles.
The Temple of Jerusalem set was constructed on the Pathe (later, RKO) backlot in Culver City. It was redressed as the "Great Wall" set that the title character breaks through in King Kong. It was later reused in David O. Selznick's The Garden of Allah and finally went out in a blaze of glory after it was redressed with Civil War era building fronts, burned and pulled down by a tractor to represent the burning of Atlanta munitions warehouses in Selznick's Gone with the Wind.
During the shoot H.B. Warner was driven to the set in a closed car with the blinds down, wore a black veil when he left the car for the set, and ate alone. The pressures of playing Jesus ultimately had an effect on Warner and resurrected his former drinking problem.
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