Susanna Foster declined to portray Jenny Johnsen, the maid. Reportedly, Miss Foster quipped that top-billed Sonja Henie ought to be playing HER maid.
This was Sonja Henie's final Hollywood feature. Of her 11 vehicles issued between 1936 and 1948, only this film missed out on a review in The New York Times. Miss Henie would return to the screen one last time in a British production shot in color and CinemaScope, Hello London, which was not released in the United States. Sonja's home studio for nine pictures between 1936 and 1943, Twentieth Century-Fox, handled the English distribution of her film finale.
Universal International originally planned to film in Technicolor.