Almost paradoxically, Reeves' impressive physique prompted filmmakers to put him into a variety of "bondage" situations. Two such situations are cited in the book: "Lash! The Hundred Greatest Scenes of Men Being Whipped in the Movies." Ranking 7th is Reeves' flogging in Duel of the Titans (1961) and ranking 24th is his flogging in Agi Murad il diavolo bianco (1959).
At the peak of his bodybuilding career at age 23, he was 6' 1", 200 pounds, with a chest measuring 48 inches, a 29-inch waist, and had 17 1/2-inch biceps.
He loved horses and was a great rider himself. Italian producers later found that to be an advantage, since Reeves usually did his own stunts in his films and they didn't have to hire a horse riding double for him. After retiring from films due to a shoulder injury, Reeves bought a ranch and took up breeding horses professionally.
He often criticized the use of steroids in bodybuilding because he felt that it undermined the health value and the challenge of bodybuilding as a sport. He once remarked, "Body builders used to come in all shapes and sizes. Now they all look like Arnold [Schwarzenegger]."
He survived numerous life-threatening experiences as a child, including being hit by a car and dragged, being thrown from a horse and sleeping through an earthquake as a child in Montana. When he couldn't be accounted for, family members found him sound asleep, his bedroom teetering on the brink of a three-story fall.
He was a friend of "Tarzan" actor Gordon Scott, and recommended him for the role of Remus in Duel of the Titans (1961). The producers originally wanted Reeves to play both Romulus and Remus through some doubling, but Reeves convinced them that it would be more effective to have another actor playing Remus.
He was played by Michael J. Nelson in the episode of "Mystery Science Theater 3000" (1988) that showed his film Hercules Unchained (1959).
He was reportedly diagnosed with lymphoma only six weeks prior to this death.
He was the undisputed king of the European produced sword and sandal/mythological muscleman epics. Although he became an international sensation, the core of his film career lasted only 5 years (1958-1963)and a staggering 15 epic productions during that period. Afterward, he made another "Sandokan" feature and attempted a film in the next big Italian film craze, the spaghetti western, before retiring from the screen.
His entire bodybuilding career consisted of 8 contests.
His mother was a nutritionist.
His voice was dubbed in his Italian epics. The only films where his real voice is heard are Jail Bait (1954) and Athena (1954).
His wife, Aline, died of complications from a stroke in 1989. He wrote "Building the Classical Physique -- The Natural Way". Through his Steve Reeves International Society Web site, he promoted supplements and powders with natural ingredients. He moved to Oakland with his family as a child and began lifting weights when he was 16 years old.
In 1949 director Cecil B. DeMille considered (and came very close) casting Reeves as Samson in Samson and Delilah (1949) after Burt Lancaster proved unavailable. Although DeMille liked Reeves and thought he was perfect for the role, a dispute between Reeves and the studio over his physique forced DeMille to recast the role of Samson with Victor Mature. After becoming popular in the late 1950s and 1960s, Reeves turned down the roles of James Bond in Dr. No (1962) and the Man With No Name in A Fistful of Dollars (1964).
Is credited by Sylvester STallone for inspiring Stallone to work out and build up his body and later became friends with Reeves after he became famous.
Mentioned in the song "Sweet Transvestite" from the film The Rocky Horror Picture Show (1975).
Mr. America 1947.
Mr. Universe 1950
Often confused with, and is not related to, George Reeves, who played Superman on TV in the 1950s. While working on a studio next to the set where the Superman series was filmed, producers once threatened to fire George after an argument and replace him with Steve.
Prior to its release, Ridley Scott's Gladiator (2000) was being referred to by some writers as the first "Steve Reeves type" movie in decades. It had also been written that Scott was amiss in not getting Reeves to at least do a cameo. Sadly, Reeves died on the very day that "Gladiator" premiered..