The only impressive thing about The Toy Wife (not good, not admirable) is the film’s ability to keep going professionally, no matter how stupid it gets. There are no easy outs in the picture; even when people start dying off to up the tragedy, there’s still a seemingly endless amount of run time read more
The only impressive thing about The Toy Wife (not good, not admirable) is the film’s ability to keep going professionally, no matter how stupid it gets. There are no easy outs in the picture; even when people start dying off to up the tragedy, there’s still a seemingly endless amount of run time read more
The only impressive thing about The Toy Wife (not good, not admirable) is the film’s ability to keep going professionally, no matter how stupid it gets. There are no easy outs in the picture; even when people start dying off to up the tragedy, there’s still a seemingly endless amount of run time read more
The only impressive thing about The Toy Wife (not good, not admirable) is the film’s ability to keep going professionally, no matter how stupid it gets. There are no easy outs in the picture; even when people start dying off to up the tragedy, there’s still a seemingly endless amount of run time read more
The Thin Man Goes Home is very genial. It would be hard for it not to be genial given some of the supporting cast is around just to be genial–familiar character actors like Edward Brophy, Donald Meek and Harry Davenport are around to be likable. And why shouldn’t William Powell and Myrn read more
Much of Double Wedding–around two-thirds of it–is a supreme comedy. It might feature William Powell’s best comedic performance, just because of the limitless opportunity it offers him. It’s hard to top Powell in a fur coat and a fake wig… with a German accent (and a wa read more
