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Vivacious Lady strengths easily outweigh its weaknesses, but those weaknesses have a way of compounding on each other as the film moves to its conclusion. The most obvious–and usually forgiveable–problem is how the film can’t decide what to do with Ginger Rogers, the Vivacious Lady. Not the film, read more

Giant has a fairly good pace for running three hours and twenty minutes. Even more so considering almost the entire second act is told in summary, with stars Elizabeth Taylor, Rock Hudson, and James Dean gradually getting more and more old age makeup. At his “oldest,” Hudson has a bulk harness, read more

Still of the Night is supreme melodrama. I mean, in its first ten minutes, the film manages to establish a small English town’s hospital, introduce stoic nurse Carole Lombard and her flighty sister Anne Shirley, throw them into tragedy and crisis, and kick Lombard into an entirely new setting. Stil read more

The More the Merrier is a wondrous mix of comedy (both slapstick and screwball) and dramatic, war-time romance. Director Stevens is expert at both–that war-time romance angle is as gentle as can be, with Stevens relying heavily on leads Jean Arthur and Joel McCrea to be able to toggle between read more

One of the great, if often unheralded American directors, it is astounding when you look at the breadth of George Stevens work. His catalogue of films rivals those of the other American greats such as John Ford, Howard Hawks, Frank Capra, and William Wyler. His films also evolved over time as he cha read more

One of the great, if often unheralded American directors, it is astounding when you look at the breadth of George Stevens work. His catalogue of films rivals those of the other American greats such as John Ford, Howard Hawks, Frank Capra, and William Wyler. His films also evolved over time as he cha read more

Originally posted on Classic Film Aficionados: George Stevens Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short- read more

Classic Film Aficionados Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short-films, mostly in the silent era and n read more

Classic Film Aficionados Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short-films, mostly in the silent era and n read more

George Stevens Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short-films, mostly in the silent era and not a few t read more

George Stevens Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short-films, mostly in the silent era and not a few t read more

George Stevens Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short-films, mostly in the silent era and not a few t read more