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Hostages (1943, Frank Tuttle)

The Stop Button Posted by Andrew Wickliffe on Mar 26, 2019

At one point during Hostages, I thought there might actually be a good performance in it somewhere. Czech freedom fighter Katina Paxinou faces off with her mother over her Resistance work. It has the potential for a good moment, turns out it’s just an adequate one (amid the sea of inadequate ones read more

Hostages (1943, Frank Tuttle)

The Stop Button Posted by Andrew Wickliffe on Mar 26, 2019

At one point during Hostages, I thought there might actually be a good performance in it somewhere. Czech freedom fighter Katina Paxinou faces off with her mother over her Resistance work. It has the potential for a good moment, turns out it’s just an adequate one (amid the sea of inadequate ones read more

Hostages (1943, Frank Tuttle)

The Stop Button Posted by on Mar 26, 2019

At one point during Hostages, I thought there might actually be a good performance in it somewhere. Czech freedom fighter Katina Paxinou faces off with her mother over her Resistance work. It has the potential for a good moment, turns out it’s just an adequate one (amid the sea of inadequate ones read more

Hostages (1943, Frank Tuttle)

The Stop Button Posted by on Mar 26, 2019

At one point during Hostages, I thought there might actually be a good performance in it somewhere. Czech freedom fighter Katina Paxinou faces off with her mother over her Resistance work. It has the potential for a good moment, turns out it’s just an adequate one (amid the sea of inadequate ones read more

A Cry in the Night (1956, Frank Tuttle)

The Stop Button Posted by Andrew Wickliffe on Jul 17, 2018

If it weren’t for the cast, there’d be very little to distinguish A Cry in the Night. John F. Seitz’s black and white photography is often–but not always–quite good, though director Tuttle struggles with the composition. He composes for the squarer Academy ratio, not widescreen. Cry in the read more

The Greene Murder Case (1929, Frank Tuttle)

The Stop Button Posted by on Jan 18, 2013

If it weren’t so predictable, The Greene Murder Case would be a little better. Not much better–part of the film’s charm is the obvious foreshadowing, since director Tuttle’s obviously on a limited budget and he couldn’t do much anyway. There are no natural exteriors, w read more

The Benson Murder Case (1930, Frank Tuttle)

The Stop Button Posted by on Jan 16, 2009

I wonder how Eugene Pallette felt–more, how his co-stars felt–about having the closest thing to a close-up in The Benson Murder Case. I’ve never been more acutely aware of shot distance than I was during the film. Tuttle has a standard pattern. Long shot–usually a lengthy lo read more