Welcome to BlogHub: the Best in Veteran and Emerging Classic Movie Blogs
You can rate and share your favorite classic movie posts here.
You can rate and share your favorite classic movie posts here.
Peloponnesian Cliffs
The Stop Button Posted by on Mar 6, 2019
Hercules: Wrath of the Heavens (Hercule); Titan Comics (Soleil); issue read more
Rat Race (2001, Jerry Zucker)
The Stop Button Posted by Andrew Wickliffe on Mar 5, 2019
If you had told me there was a movie with John Cleese in funny fake teeth and Smash Mouth as a plot point (a positive one), I don’t know I would’ve believed it. But if there is going to be a movie with John Cleese in funny fake teeth and Smash Mouth as in a positive cameo… it’s going to be a read more
Rat Race (2001, Jerry Zucker)
The Stop Button Posted by Andrew Wickliffe on Mar 5, 2019
If you had told me there was a movie with John Cleese in funny fake teeth and Smash Mouth as a plot point (a positive one), I don’t know I would’ve believed it. But if there is going to be a movie with John Cleese in funny fake teeth and Smash Mouth as in a positive cameo… it’s going to be a read more
Rat Race (2001, Jerry Zucker)
The Stop Button Posted by on Mar 5, 2019
If you had told me there was a movie with John Cleese in funny fake teeth and Smash Mouth as a plot point (a positive one), I don’t know I would’ve believed it. But if there is going to be a movie with John Cleese in funny fake teeth and Smash Mouth as in a positive cameo… it’s going to be a read more
Rat Race (2001, Jerry Zucker)
The Stop Button Posted by on Mar 5, 2019
If you had told me there was a movie with John Cleese in funny fake teeth and Smash Mouth as a plot point (a positive one), I don’t know I would’ve believed it. But if there is going to be a movie with John Cleese in funny fake teeth and Smash Mouth as in a positive cameo… it’s going to be a read more
In Threes and Fours: Christmas Alien
The Stop Button Posted by on Mar 4, 2019
I’m really impressed with Johnnie Christmas’s Alien 3 from Dark Horse. No doubt they’ll lose their Fox licenses to Marvel, who should just have Disney buy Dark Horse at this point, since it would simplify reprints and give Marvel a better back catalogue. Because someday Disney and AT&T read more
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The Stop Button Posted by on Mar 3, 2019
One of the things I’m trying to figure out for Comics Fondle and Televisual Feast is if I want to just do episode-specific posts, or if I want to do an additional column. I think I’m leaning column in addition. Because I need to talk about this week’s “Orville” being a spectacular feat. Or read more
It Happened in Hollywood (1937, Harry Lachman)
The Stop Button Posted by Andrew Wickliffe on Mar 2, 2019
It Happened in Hollywood is very nearly a success, which is surprising since most of the film is entirely mediocre. There’s a great lead performance from Richard Dix, as a silent movie cowboy who can’t make it in talkies (though, to be fair, the one bombed screen-test scene was more used to comment read more
It Happened in Hollywood (1937, Harry Lachman)
The Stop Button Posted by Andrew Wickliffe on Mar 2, 2019
It Happened in Hollywood is very nearly a success, which is surprising since most of the film is entirely mediocre. There’s a great lead performance from Richard Dix, as a silent movie cowboy who can’t make it in talkies (though, to be fair, the one bombed screen-test scene was more used to comment read more
It Happened in Hollywood (1937, Harry Lachman)
The Stop Button Posted by on Mar 2, 2019
It Happened in Hollywood is very nearly a success, which is surprising since most of the film is entirely mediocre. There’s a great lead performance from Richard Dix, as a silent movie cowboy who can’t make it in talkies (though, to be fair, the one bombed screen-test scene was more used to comment read more
It Happened in Hollywood (1937, Harry Lachman)
The Stop Button Posted by on Mar 2, 2019
It Happened in Hollywood is very nearly a success, which is surprising since most of the film is entirely mediocre. There’s a great lead performance from Richard Dix, as a silent movie cowboy who can’t make it in talkies (though, to be fair, the one bombed screen-test scene was more used to comment read more
Red Dust (1932, Victor Fleming)
The Stop Button Posted by Andrew Wickliffe on Mar 1, 2019
I’m not sure how much would be different about Red Dust if the film weren’t so hideously racist, particularly when it comes to poor Willie Fung (as the houseboy), but at least it wouldn’t go out on such a nasty note. Especially since the finale, despite being contrived, at least plays to the film’s read more
Red Dust (1932, Victor Fleming)
The Stop Button Posted by Andrew Wickliffe on Mar 1, 2019
I’m not sure how much would be different about Red Dust if the film weren’t so hideously racist, particularly when it comes to poor Willie Fung (as the houseboy), but at least it wouldn’t go out on such a nasty note. Especially since the finale, despite being contrived, at least plays to the film’s read more
Red Dust (1932, Victor Fleming)
The Stop Button Posted by on Mar 1, 2019
I’m not sure how much would be different about Red Dust if the film weren’t so hideously racist, particularly when it comes to poor Willie Fung (as the houseboy), but at least it wouldn’t go out on such a nasty note. Especially since the finale, despite being contrived, at least plays to the film’s read more
Red Dust (1932, Victor Fleming)
The Stop Button Posted by on Mar 1, 2019
I’m not sure how much would be different about Red Dust if the film weren’t so hideously racist, particularly when it comes to poor Willie Fung (as the houseboy), but at least it wouldn’t go out on such a nasty note. Especially since the finale, despite being contrived, at least plays to the film’s read more
The Comics Fondle Podcast | Episode 50
The Stop Button Posted by on Mar 1, 2019
We know you’ve been waiting… five months for this episode, which makes us even more embarrassed about the audio quality but the episode’s worth it. All three hours of the episode is worth it. That’s right, it’s a three hour extra-sized episode… we cover the Best read more
Crooklyn (1994, Spike Lee)
The Stop Button Posted by Andrew Wickliffe on Feb 28, 2019
Crooklyn is a series of memories. They’re mostly the main character’s memories—and if they’re not, they’re definitely from her perception. The memories start in the spring and go through the summer. Director Lee and his cowriters—and siblings (Crooklyn is semi-autobiographical) Joie Lee read more
Crooklyn (1994, Spike Lee)
The Stop Button Posted by Andrew Wickliffe on Feb 28, 2019
Crooklyn is a series of memories. They’re mostly the main character’s memories—and if they’re not, they’re definitely from her perception. The memories start in the spring and go through the summer. Director Lee and his cowriters—and siblings (Crooklyn is semi-autobiographical) Joie Lee read more
Crooklyn (1994, Spike Lee)
The Stop Button Posted by on Feb 28, 2019
Crooklyn is a series of memories. They’re mostly the main character’s memories—and if they’re not, they’re definitely from her perception. The memories start in the spring and go through the summer. Director Lee and his cowriters—and siblings (Crooklyn is semi-autobiographical) Joie Lee read more
Crooklyn (1994, Spike Lee)
The Stop Button Posted by on Feb 28, 2019
Crooklyn is a series of memories. They’re mostly the main character’s memories—and if they’re not, they’re definitely from her perception. The memories start in the spring and go through the summer. Director Lee and his cowriters—and siblings (Crooklyn is semi-autobiographical) Joie Lee read more