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Michael vs. Jason: Evil Emerges (2019, Luke Pedder)

The Stop Button Posted by Andrew Wickliffe on Apr 15, 2019

I make this statement with absolute sincerity: a Michael vs. Jason fan movie is a good idea. It doesn’t need actual acting, because neither of the slasher villains are going to be speaking or emoting. Their shapes and the filmmaking are going to do the work. You could do it on zero budget, you just read more

Michael vs. Jason: Evil Emerges (2019, Luke Pedder)

The Stop Button Posted by on Apr 15, 2019

I make this statement with absolute sincerity: a Michael vs. Jason fan movie is a good idea. It doesn’t need actual acting, because neither of the slasher villains are going to be speaking or emoting. Their shapes and the filmmaking are going to do the work. You could do it on zero budget, you just read more

Michael vs. Jason: Evil Emerges (2019, Luke Pedder)

The Stop Button Posted by on Apr 15, 2019

I make this statement with absolute sincerity: a Michael vs. Jason fan movie is a good idea. It doesn’t need actual acting, because neither of the slasher villains are going to be speaking or emoting. Their shapes and the filmmaking are going to do the work. You could do it on zero budget, you just read more

Tomorrow’s Weather

The Stop Button Posted by on Apr 14, 2019

If all goes as planned—yeah, sorry, it’s late and I’ve got nothing but another writing post today—but if all goes as planned, tomorrow I’ll have… well, some updates. Some news of future projects. Imminent future projects in some cases. But I’ve got to get through the morning’s writing read more

Moonfleet (1955, Fritz Lang)

The Stop Button Posted by Andrew Wickliffe on Apr 13, 2019

Moonfleet is a very strange film. The protagonist is ten year-old Jon Whiteley; the film starts with him arriving in the coastal village, Moonfleet. It’s the mid-eighteenth century. Moonfleet is a dangerous, scary place. Sort of. Whiteley is in town on his own because his mother has died (Dad is a read more

Moonfleet (1955, Fritz Lang)

The Stop Button Posted by Andrew Wickliffe on Apr 13, 2019

Moonfleet is a very strange film. The protagonist is ten year-old Jon Whiteley; the film starts with him arriving in the coastal village, Moonfleet. It’s the mid-eighteenth century. Moonfleet is a dangerous, scary place. Sort of. Whiteley is in town on his own because his mother has died (Dad is a read more

Moonfleet (1955, Fritz Lang)

The Stop Button Posted by on Apr 13, 2019

Moonfleet is a very strange film. The protagonist is ten year-old Jon Whiteley; the film starts with him arriving in the coastal village, Moonfleet. It’s the mid-eighteenth century. Moonfleet is a dangerous, scary place. Sort of. Whiteley is in town on his own because his mother has died (Dad is a read more

Moonfleet (1955, Fritz Lang)

The Stop Button Posted by on Apr 13, 2019

Moonfleet is a very strange film. The protagonist is ten year-old Jon Whiteley; the film starts with him arriving in the coastal village, Moonfleet. It’s the mid-eighteenth century. Moonfleet is a dangerous, scary place. Sort of. Whiteley is in town on his own because his mother has died (Dad is a read more

Word Count: 462

The Stop Button Posted by on Apr 13, 2019

You all almost got a streaming of consciousness piece but I stopped myself. There are cans of worms way too big and requiring of way too much garnish and condiment. Apologies on the plurals being off but… I like the way it sounds that way. I’ve got a very big writing week coming up. Daunting. I read more

Born in East L.A. (1987, Cheech Marin)

The Stop Button Posted by Andrew Wickliffe on Apr 11, 2019

Born in East L.A. is a much lighter comedy than expected. Maybe not more than writer-director-star Cheech Marin portends—and a lot of the film’s ineffectiveness isn’t first time feature director Marin’s fault, he needed one of his four editors to have some clue about creating narrative continuity. read more

Born in East L.A. (1987, Cheech Marin)

The Stop Button Posted by Andrew Wickliffe on Apr 11, 2019

Born in East L.A. is a much lighter comedy than expected. Maybe not more than writer-director-star Cheech Marin portends—and a lot of the film’s ineffectiveness isn’t first time feature director Marin’s fault, he needed one of his four editors to have some clue about creating narrative continuity. read more

Born in East L.A. (1987, Cheech Marin)

The Stop Button Posted by on Apr 11, 2019

Born in East L.A. is a much lighter comedy than expected. Maybe not more than writer-director-star Cheech Marin portends—and a lot of the film’s ineffectiveness isn’t first time feature director Marin’s fault, he needed one of his four editors to have some clue about creating narrative continuity. read more

Born in East L.A. (1987, Cheech Marin)

The Stop Button Posted by on Apr 11, 2019

Born in East L.A. is a much lighter comedy than expected. Maybe not more than writer-director-star Cheech Marin portends—and a lot of the film’s ineffectiveness isn’t first time feature director Marin’s fault, he needed one of his four editors to have some clue about creating narrative continuity. read more

Lured (1947, Douglas Sirk)

The Stop Button Posted by Andrew Wickliffe on Apr 9, 2019

If Lured had gone just a little bit differently, it could’ve kicked off a franchise for Lucille Ball and George Sanders. He’s the high society snob, she’s the New York girl in London, they solve mysteries. But Lured isn’t their detective story; it’s Charles Coburn’s detective story, they’re read more

Lured (1947, Douglas Sirk)

The Stop Button Posted by Andrew Wickliffe on Apr 9, 2019

If Lured had gone just a little bit differently, it could’ve kicked off a franchise for Lucille Ball and George Sanders. He’s the high society snob, she’s the New York girl in London, they solve mysteries. But Lured isn’t their detective story; it’s Charles Coburn’s detective story, they’re read more

Lured (1947, Douglas Sirk)

The Stop Button Posted by on Apr 9, 2019

If Lured had gone just a little bit differently, it could’ve kicked off a franchise for Lucille Ball and George Sanders. He’s the high society snob, she’s the New York girl in London, they solve mysteries. But Lured isn’t their detective story; it’s Charles Coburn’s detective story, they’re read more

Lured (1947, Douglas Sirk)

The Stop Button Posted by on Apr 9, 2019

If Lured had gone just a little bit differently, it could’ve kicked off a franchise for Lucille Ball and George Sanders. He’s the high society snob, she’s the New York girl in London, they solve mysteries. But Lured isn’t their detective story; it’s Charles Coburn’s detective story, they’re read more

The Ten Commandments (1956, Cecil B. DeMille)

The Stop Button Posted by Andrew Wickliffe on Apr 7, 2019

While Yul Brynner easily gives the best performance in Ten Commandments, until the second half of the movie Anne Baxter gives the most amusing one. She's an Egyptian princess and she's going to marry the next pharaoh. The next pharaoh is either Brynner or Charlton Heston. Cedric Hardwicke read more

The Ten Commandments (1956, Cecil B. DeMille)

The Stop Button Posted by Andrew Wickliffe on Apr 7, 2019

While Yul Brynner easily gives the best performance in Ten Commandments, until the second half of the movie Anne Baxter gives the most amusing one. She's an Egyptian princess and she's going to marry the next pharaoh. The next pharaoh is either Brynner or Charlton Heston. Cedric Hardwicke read more

The Ten Commandments (1956, Cecil B. DeMille)

The Stop Button Posted by on Apr 7, 2019

While Yul Brynner easily gives the best performance in Ten Commandments, until the second half of the movie Anne Baxter gives the most amusing one. She's an Egyptian princess and she's going to marry the next pharaoh. The next pharaoh is either Brynner or Charlton Heston. Cedric Hardwicke read more
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