Welcome to BlogHub: the Best in Veteran and Emerging Classic Movie Blogs
You can rate and share your favorite classic movie posts here.
You can rate and share your favorite classic movie posts here.
Half Moon Street (1986, Bob Swaim)
The Stop Button Posted by on Feb 17, 2009
Half Moon Street is supposed to be funny, right? No one’s supposed to believe it’s serious, they can’t. Certainly not with Sigourney Weaver’s performance–it’s got to be the worst thing she’s ever done, but it’s amazing because she certainly never gave read more
The Man with the Golden Arm (1955, Otto Preminger)
The Stop Button Posted by on Feb 11, 2009
There are a few problems with The Man with the Golden Arm. It’s hard to think of the film actually having any defects, since it’s such a brilliantly made motion picture. It was one of the first Preminger films I saw and was I ever surprised when they all weren’t so beautifully put read more
They Were Expendable (1945, John Ford)
The Stop Button Posted by on Feb 10, 2009
They Were Expendable has a gradual pace. Not knowing the film’s subject matter–just genre–going in, it all unfolded quite deliberately in front of me. The opening is a PT boat exercise. The film’s special effects are spectacular; it’s impossible to tell what’s an read more
The Fog (1980, John Carpenter)
The Stop Button Posted by on Feb 6, 2009
It’s not just Janet Leigh being in the film or all the trouble–visibly–starting when Jamie Lee Curtis arrives in town, it’s everything about The Fog–it’s an aware Hitchcock homage. The list can continue with the setting, the reference to The Birds, but it’s read more
Calling Dr. Kildare (1939, Harold S. Bucquet)
The Stop Button Posted by on Feb 5, 2009
Someone thought Calling Dr. Kildare was a good idea. Sitting through the turgid eighty-six minute running time, that thought occasionally popped into my head. Someone thought this story was a good idea. Lew Ayres’s young Dr. Kildare (this one’s set three months, give or take, after the read more
Badlands (1973, Terrence Malick)
The Stop Button Posted by on Feb 4, 2009
I was in high school the first time I saw Badlands. I’d seen a lot of movies–I think by that time, I’d even made a top one hundred list. I know I’d seen True Romance, so I must have been at least fifteen. There’s nothing else like Badlands in cinema, which is a bit of read more
Double Wedding (1937, Richard Thorpe)
The Stop Button Posted by on Jan 30, 2009
Much of Double Wedding–around two-thirds of it–is a supreme comedy. It might feature William Powell’s best comedic performance, just because of the limitless opportunity it offers him. It’s hard to top Powell in a fur coat and a fake wig… with a German accent (and a wa read more
Maximum Overdrive (1986, Stephen King)
The Stop Button Posted by on Jan 29, 2009
Maximum Overdrive confuses me a little. I thought–given the movie opens with the writer and director being insulted by a cash machine–Stephen King wasn’t going for anything… well, artistic is a stretch, so maybe genuine. Almost immediately following is a scene where a bunch read more
Blondie Meets the Boss (1939, Frank R. Strayer)
The Stop Button Posted by on Jan 28, 2009
It’s hard to say who gives a better performance in Blondie Meets the Boss, Larry Simms as Baby Dumpling or Daisy the dog. Simms has a lot of funny lines–all the best lines are from kids talking about adults, it was hard not to think this entry should have been called “Kids Say the read more
Rebel Without a Cause (1955, Nicholas Ray)
The Stop Button Posted by on Jan 27, 2009
For a film with pioneering use of widescreen composition–the shot with the cars moving past Natalie Wood–and one of the better film performances (James Dean), Rebel Without a Cause is a curious failure. It’s loaded with content–there’s the stuff with Dean and his paren read more
About
The Stop Button Posted by Andrew Wickliffe on Jan 23, 2009
Hello, and welcome, to the Stop Button “About” page. I’m Andrew Wickliffe and I’ve been blogging here so long the site can get a driving permit. I write about movies, comics, and television. On rare occasion, I write longer pieces in hopes of driving traffic to the older pie read more
Child’s Play (1988, Tom Holland)
The Stop Button Posted by on Jan 22, 2009
Child’s Play barely makes any sense. Or maybe some of it does, but there’s a big voodoo component and it gets used as a crutch for the more fantastical elements (with its own problems with rationality). But the film opens with a shootout in downtown Chicago–Child’s Play uses read more
R.I.P. VHS
The Stop Button Posted by on Jan 22, 2009
It’s hard to imagine anyone fetishizing DVDs, though I’m sure some must. Someone out there knows each and every day he or she bought a different release of Army of Darkness. Someone out there sleeps with their Necronomicon case from The Evil Dead–didn’t it smell too? The initial Anchor Bay read more
Calling Dr. Death (1943, Reginald Le Borg)
The Stop Button Posted by on Jan 21, 2009
Reusing music in b movies isn’t uncommon, but to reuse music from a movie with the same star? It kind of gets distracting. Almost everything about Calling Dr. Death is distracting, actually. The movie opens with a head in a glass sphere ominously describing the film’s setting (Dr. Death read more
The Saint in London (1939, John Paddy Carstairs)
The Stop Button Posted by on Jan 20, 2009
One of the unfortunate developments of television is the proliferation of hour-long mystery dramas. While these programs might be good, it means movies like The Saint in London don’t get made anymore. The film’s not episodic, with an abbreviated first act–George Sanders (playing t read more
Fear and Desire (1953, Stanley Kubrick)
The Stop Button Posted by on Jan 19, 2009
Fear and Desire‘s a mess to be sure, but it’s hard to understand why Kubrick later strove to have it willfully forgotten. The film’s greatest faults–the script and the acting–pale when compared to Kubrick’s success as a director and editor. He described the film read more
The Benson Murder Case (1930, Frank Tuttle)
The Stop Button Posted by on Jan 16, 2009
I wonder how Eugene Pallette felt–more, how his co-stars felt–about having the closest thing to a close-up in The Benson Murder Case. I’ve never been more acutely aware of shot distance than I was during the film. Tuttle has a standard pattern. Long shot–usually a lengthy lo read more
The Incredible Shrinking Woman (1981, Joel Schumacher)
The Stop Button Posted by on Jan 15, 2009
I’m not sure I have the vocabulary to properly discuss The Incredible Shrinking Woman. It’s an experience–Ned Beatty was in Network and he appeared in this one? Sorry. Anyway, according the IMDb, the movie might have made money–in fact, it might have even been a hit. I alway read more
The Prizefighter and the Lady (1933, W.S. Van Dyke)
The Stop Button Posted by on Jan 14, 2009
The Prizefighter and the Lady mixes a couple genres–the philandering husband whose wife can’t stop loving him standard and, additionally, stunt casting. Heavyweight contender Max Baer stars as a heavyweight contender, who fights the champ, played by champ Primo Carnera. Myrna Loy plays read more
Batman (1989, Tim Burton)
The Stop Button Posted by on Dec 25, 2008
Batman‘s an odd success. It has almost constant problems–Kim Basinger’s bad, Jack Nicholson’s phoning it in (but never contemptuous of the material, which makes it a peculiar performance) and the movie never really finishes the story it starts in the first act–but it&# read more