Welcome to BlogHub: the Best in Veteran and Emerging Classic Movie Blogs
You can rate and share your favorite classic movie posts here.
You can rate and share your favorite classic movie posts here.
Disgraced (1933, Erle C. Kenton)
The Stop Button Posted by on Apr 19, 2013
Like most lame melodramas, Disgraced‘s plot only works because characters all of a sudden act completely differently than the story has previously established them. Disgraced concerns a department store model (Helen Twelvetrees) who starts hanging around a regular customer’s fiancé. Rom read more
Deadline at Dawn (1946, Harold Clurman)
The Stop Button Posted by on Apr 18, 2013
Given all the excellent components, Deadline at Dawn ought to be a lot better. It has a compelling plot–a naive sailor and erstwhile murder suspect (Bill Williams) has to solve the crime before he ships out, but he’s just met a city hardened girl (Susan Hayward) and crushing on her and read more
Please Don’t Eat My Mother (1973, Carl Monson)
The Stop Button Posted by on Apr 17, 2013
I don’t even know where to start mocking Please Don’t Eat My Mother. There are just too many places to start… first probably should be the pacing. Mother is a softcore–but seventies softcore, which isn’t particularly soft–remake of The Little Shop of Horrors. Buc read more
Splash (1984, Ron Howard)
The Stop Button Posted by on Apr 16, 2013
Splash has a strange narrative structure. The front’s heavy, likely because the filmmakers make a real effort to establish Tom Hanks as a listless young (well, youngish) man. Of course, Hanks is a listless man with an apparently great job as a produce whole seller, an amazing Manhattan apartm read more
Murder on the Blackboard (1934, George Archainbaud)
The Stop Button Posted by on Apr 12, 2013
As its title suggests, Murder on the Blackboard concerns a murder in a school, specifically an elementary school. Only one student appears; Blackboard concentrates on the rather shady goings-ons of the staff. There’s a drunk janitor, a lecherous principal, not to mention a love triangle betwe read more
I Married a Witch (1942, René Clair)
The Stop Button Posted by on Apr 11, 2013
I Married a Witch often seems to short. Director Clair rightly focuses the picture around leading lady Veronica Lake, with Frederic March getting a fair amount of attention too, but the narrative outside them blurs. And it shouldn’t blur, given the high stakes election backdrop. Clair’s read more
Murder by Death (1976, Robert Moore)
The Stop Button Posted by on Apr 10, 2013
Writer Neil Simon did not adapt Murder by Death from one of his plays, which I’ve always assumed he did. While the film does have a more theatrical structure–a great deal of Death is the cast in one room–the action does follow the characters around and some of their experiences wo read more
High Spirits (1988, Neil Jordan)
The Stop Button Posted by on Apr 9, 2013
High Spirits is another fine example of how excellent production values, earnest performances and a genial air can make even the most problem riddled film enjoyable. The studio, infamously, took Spirits away from director Jordan in the editing and the resulting version isn’t his intention. Th read more
Framed (1930, George Archainbaud)
The Stop Button Posted by on Apr 5, 2013
Framed feels a little like it was a silent turned into a talkie. About half the time, instead establishing shots for scene changes, there are expository title cards. Usually they’re for time changes, as though director Archainbaud couldn’t think of anything else. It’s hard to say read more
Ellery Queen and the Murder Ring (1941, James P. Hogan)
The Stop Button Posted by on Apr 4, 2013
Ellery Queen and the Murder Ring‘s title confuses me for a couple reasons. First, Ralph Bellamy’s Ellery Queen disappears for long stretches of the seventy-minute runtime. When he does show up, he usually makes a mistake or overlooks something, then someone else comes in and gets the in read more
Halloween (1978, John Carpenter), the television version
The Stop Button Posted by on Apr 3, 2013
The television version of Halloween has an interesting story–the original film ran so short, when the network wanted to run it on TV, there wasn’t enough film after they cut out the violence. Carpenter was producing Halloween II at the time so he came back and filmed some more scenes to read more
Nine to Five (1980, Colin Higgins)
The Stop Button Posted by on Mar 29, 2013
Besides being extremely funny and rather well-acted, Nine to Five has a lot of narrative problems. The story isn’t a mess exactly, because there’s not enough story for there to be a mess. Higgins and co-writer Patricia Resnick have an idea (Jane Fonda, Dolly Parton and Lily Tomlin are s read more
Crocodile Dundee (1986, Peter Faiman)
The Stop Button Posted by on Mar 25, 2013
When Crocodile Dundee starts, it’s deceptively bold. For roughly the first half of the picture, Linda Kozlowski–without any previous theatrical credits on her filmography–is the protagonist. She’s not really believable as a tenacious newspaper reporter, but she works as Jane read more
Snapshot (1979, Simon Wincer)
The Stop Button Posted by on Mar 22, 2013
Snapshot is one half middling coming of age melodrama and one half not scary thriller. The picture opens with a burnt-out building and a corpse, then goes back to explain. Director Wincer isn’t playful with the flashback–the opening is only there so the viewer is suspicious throughout t read more
The Dinosaur and the Missing Link: A Prehistoric Tragedy (1915, Willis O’Brien)
The Stop Button Posted by on Mar 21, 2013
Until the Missing Link shows up, The Dinosaur and the Missing Link is strangely realistic. Director O’Brien’s stop motion creations–he always uses long shot–seem like actors, like any other silent with a terrible print. It’s eerie. Even the gorilla-like Missing Link oc read more
Back to the Future (1985, Robert Zemeckis) (1)
The Stop Button Posted by on Mar 14, 2013
Back to the Future gives the impression of being very economical in terms of its narrative… but it really isn’t. Zemeckis just does such a great job immediately establishing the fifties setting, even though there’s less than fifty minutes before the third act, the film feels more read more
Romancing the Stone (1984, Robert Zemeckis)
The Stop Button Posted by on Mar 12, 2013
So much of Romancing the Stone is perfect, when the film has bumps, they stand out. Even worse, it closes on one of those bumps. The finale is so poorly handled, one has to wonder if it’s the result of a rewrite. Anyway, on to the glowing stuff. The film’s a technical marvel. Zemeckis&# read more
Assault on Precinct 13 (1976, John Carpenter)
The Stop Button Posted by on Mar 6, 2013
The titular assault in Assault on Precinct 13 doesn’t start until just over halfway through (and not at Precinct 13, but whatever). Until that point, Carpenter methodically lays out the elements to synthesize at the sieged police station. He introduces a tense gang situation, a new lieutenant read more
Superman and the Mole-Men (1951, Lee Sholem)
The Stop Button Posted by on Mar 5, 2013
Superman and the Mole Men is somewhat hard to watch–and not because of the goofy mole people costumes. The bad guys in the film aren’t the mole men, but the evil redneck townspeople who hunt them down. Mole Men runs less than an hour (a theatrical pilot for the “Adventures of Supe read more
Black Moon (1934, Roy William Neill)
The Stop Button Posted by on Mar 4, 2013
Before getting into all the great things about Black Moon, I need to talk about the racism. There’s the general thirties racism, with the black sidekick (Clarence Muse) being constantly cartoonish. But the film’s entire plot is racist–it’s about a Caribbean island full of vo read more