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Over the Top (1987, Menahem Golan)

The Stop Button Posted by Andrew Wickliffe on Jul 11, 2016

Is Over the Top terrible? Yes. It’s a terrible film. Is it an interesting terrible film? No. I mean, maybe if you wanted to examine Giorgio Moroder’s inept eighties synthesizer score or David Gurfinkel’s weird photography, you might be able to find some kernels of interest. But it read more

Detective Story (1951, William Wyler)

The Stop Button Posted by Andrew Wickliffe on Jul 10, 2016

Detective Story, the film, is William Wyler’s “production” of Sidney Kingsley’s play of the same title. Philip Yordan and Robert Wyler adapted the play. Wyler directed and produced the film. It is a stage adaptation and proud of it. The phrasing above is directly adapted fro read more

Thirteen Women (1932, George Archainbaud)

The Stop Button Posted by Andrew Wickliffe on Jul 9, 2016

Thirteen Women runs just under an hour. A minute under an hour. There was pre-release cutting on the studio’s part. But with those fifty-nine minutes, director Archainbaud is still able to create one heck of a creepy film. The film’s not a mystery. It’s not even a thriller. ItR read more

The 39 Steps (1935, Alfred Hitchcock)

The Stop Button Posted by Andrew Wickliffe on Jul 7, 2016

There are numerous good moments in The 39 Steps. Even the clunky finale is a good moment–director Hitchcock knows he’s got a good moment, he just doesn’t know how to fill in around it. This inability on Hitchcock’s part makes The 39 Steps immediately interesting when compare read more

Jaws: The Revenge (1987, Joseph Sargent), the international version

The Stop Button Posted by Andrew Wickliffe on Jul 4, 2016

If only there were something remarkable about Jaws: The Revenge. Just one thing terrible enough about it to make it somehow interesting. Jaws: The Revenge is unremarkably bad in its unremarkable badness. As the opening titles rolled, with shark POV of a New England harbor, I wanted it to be some ki read more

[BASP] An Alan Smithee Film: Burn Hollywood Burn (1997, Arthur Hiller)

The Stop Button Posted by Andrew Wickliffe on Jul 4, 2016

The Best of An Alan Smithee Podcast: Episode Thirty An Alan Smithee Film: Burn Hollywood Burn (1997, Arthur Hiller) Originally posted: May 5, 2014 Subscribe via iTunes. read more

Highlander: The Source (2007, Brett Leonard)

The Stop Button Posted by Andrew Wickliffe on Jul 3, 2016

I wish there were nice things to say about Highlander: The Source. I wish every statement didn’t have to have a qualifier. For example, Adrian Paul is almost fine. He’s got a badly written part but he’s game for it. Same goes for Peter Wingfield, who’s a little less almost f read more

Batman v Superman: Dawn of Justice (2016, Zach Snyder), the ultimate edition

The Stop Button Posted by Andrew Wickliffe on Jul 2, 2016

The extended version of Batman v Superman: Dawn of Justice isn’t just the extended version of Batman/Superman, it’s Batman v Superman: Dawn of Justice: The Ultimate Edition. There’s a second subtitle on the thing. It’s doubling down on the idea the extended cut in the post-D read more

The Hunger (1983, Tony Scott)

The Stop Button Posted by Andrew Wickliffe on Jul 1, 2016

A lot of The Hunger is so exquisitely directed by Scott, it almost seems like there’s nothing the narrative could do to mess it up. His Panavision composition is precise, fixated on the small detail, whether it’s David Bowie’s stubble or Catherine Deneuve’s sunglasses. These read more

The Deadly Mantis (1957, Nathan Juran)

The Stop Button Posted by Andrew Wickliffe on Jun 29, 2016

The best directed parts of The Deadly Mantis are when the film is propaganda for the military. Director Juran–and editor Chester W. Schaeffer–show more enthusiasm when putting together those brief expository segments than they do anywhere else in the film. Given it’s about a giant read more

She’s Dressed to Kill (1979, Gus Trikonis)

The Stop Button Posted by Andrew Wickliffe on Jun 27, 2016

She’s Dressed to Kill is a simultaneously a perfect TV movie and a disappointment. It’s a murder mystery set on an isolated mountain; Eleanor Parker is a recluse fashion designer who has a show and the attendees can’t stop being murdered. Only the killer has followed the attendees read more

[BASP] KISS Meets the Phantom of the Park (1978, Gordon Hessler) / Detroit Rock City (1999, Adam Rifkin)

The Stop Button Posted by Andrew Wickliffe on Jun 27, 2016

The Best of An Alan Smithee Podcast: Episode Twenty-seven KISS Meets the Phantom of the Park (1978, Gordon Hessler) / Detroit Rock City (1999, Adam Rifkin Originally posted: April 8 2014 Subscribe via iTunes. r read more

Butch Cassidy and the Sundance Kid (1969, George Roy Hill)

The Stop Button Posted by Andrew Wickliffe on Jun 27, 2016

Butch Cassidy and the Sundance Kid opens with a sepia-toned silent film newsreel. It’s exposition, but also contrast. The silent images of a daring train robbery distract from reading the film’s accompanying opening titles. When the film itself starts, it’s just as sepia-toned. On read more

Highlander: Endgame (2000, Douglas Aarniokoski)

The Stop Button Posted by Andrew Wickliffe on Jun 27, 2016

For all intents and purposes, there’s nothing nice to say about Highlander: Endgame. Maybe there’s an almost all right moment between Lisa Barbuscia and Adrian Paul. They’re married, but estranged. They’re both immortal, something he didn’t tell her before killing her read more

Creepshow (1982, George A. Romero)

The Stop Button Posted by Andrew Wickliffe on Jun 27, 2016

Creepshow is an homage to 1950s horror comic books. Director Romero and writer Stephen King go out of their way to make it feel like you’re reading one of those comics. It’s about the anticipation. The terror isn’t promised, it’s inevitable. So watching Creepshow is about wa read more

City of the Living Dead (1980, Lucio Fulci)

The Stop Button Posted by Andrew Wickliffe on Jun 22, 2016

City of the Living Dead isn’t really about a city of the living dead, more an unincorporated municipality of the living dead. An unincorporated municipality of the living dead is far less scary than a city of the living dead. Though the film is rarely scary. It’s occasionally gory, even read more

Reservoir Dogs (1992, Quentin Tarantino)

The Stop Button Posted by Andrew Wickliffe on Jun 22, 2016

The least violent part of Reservoir Dogs is the bloodiest. One of the characters is in a pool of blood, slipping on it as he delivers his dialogue. Director Tarantino finds a moment of Shakespearian tragedy and builds a film to it. He uses stylish ultra-violence, Dogs is visceral with the blood, bu read more

[BASP] The Fly (1986, David Cronenberg) / The Fly II (1989, Chris Walas)

The Stop Button Posted by Andrew Wickliffe on Jun 21, 2016

The Best of An Alan Smithee Podcast: Episode Twenty-seven The Fly (1986, David Cronenberg) / The Fly II (1989, Chris Walas) Originally posted: February 7, 2014 Subscribe via iTunes. read more

Freedomland (2006, Joe Roth)

The Stop Button Posted by Andrew Wickliffe on Jun 21, 2016

I didn’t see Freedomland when it came out because I loved the novel and Richard Price adapting the novel or not, the movie’s cast and crew aren’t encouraging it. No movie directed by Joe Roth should inspire confidence, especially not one about racism. Freedomland is about racism. read more

The Creature Walks Among Us (1956, John Sherwood)

The Stop Button Posted by Andrew Wickliffe on Jun 20, 2016

The Creature Walks Among Us is a surprising disappointment. It never has potential exactly, but it does have something. Arthur A. Ross’s script is rather good for this production. Right off, Ross has decent science dialogue. His character interactions are good. And then it’s clear the c read more
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